The Animation Pimp returns with a third installment in his unsung animators series. This time riding with Stephanie Maxwell.
Column: The Animation Pimp
The Animation Pimp looks back on the emotional agony of receiving an award at the ASIFA-East Festival.
The Animation Pimp rediscovers Ryan Larkin and Chris Landreths intimate short film on the fallen star animator.
Henry Turner investigates the newest developments in motion capture and motion control, which brings the technology on-set. Includes a QuickTime movie clip from Hidalgo.
The Animation Pimp offers a very personal journey of self-discovery and advice as he eulogizes his grandfather.
Taylor Jessen reviews five short films fresh from the festival circuit: Maanvis (Moonfish) by Isabel Bouttens, Im A Star! By Stefan Stratil, How To Cope With Death directed by Ignacio Ferregras, How Mermaids Breed directed by Joan Ashworth and Chainsmoker directed by Ulf Lundgren. Includes QuickTime movie clips!
Animation Pimp ponders the effect of comprising the Ottawa Festivals jury with worldclass criminals instead of international intellectuals.
The Animation Pimp gives his sage advice about how to submit films to the Ottawa Film Fest, thus not pissing him off.
Known for being racy himself, the Animation Pimp tackles the adultness ofSpike TVs new primetime The Strip line-up.
Class is in, and the Pimp is teaching Animation 101 to students and schools that churn out cloned work.
The Pimp says change is unavoidable, and for that matter, it can be a good thing! What's more, he tells the animation community to look forward to good computer animation.
The Pimp just doesn't even care about the war anymorehe's had it with two-faced rhetoric and the independent animation film community's failure to be relevant.
While the Pimp believes that a complete picture should be created when depicting "heroes"how does this complete picture, flaws and all, impact how we view their accomplishments?
The Animation Pimp discusses the Academy's choices for Best Animated Short Film and suggests that some changes are made to their nominating process.
Animation festivals have sunk to a boring level of similarity, staid programming and a repetitious circle of participants. The Animation Pimp challenges a shake up.
Can't we have some animated TV series that have true meaning? That probe the more serious aspects of our existence as humans? The Animation Pimp isn't asking for a lotjust a little depth. Here, he explains.
The Pimp analyses two different animated takes on his favorite sport -- hockey -- and draws a few conclusions
The Animation Pimp discusses his recovery from alcoholism and the animated films he found that discuss the subject.
How responsible is the treatment of violence in cartoons? And what is the bigger cultural impact of this? The Animation Pimp takes a swing.