Bad Robot Taps Tweak Software for 'Star Trek Into Darkness'
Bad Robot, the production company founded by director J.J. Abrams, adopts Tweak Software’s RV-SDI to review visual effects shots from Star Trek Into Darkness.
Bad Robot, the production company founded by director J.J. Abrams, adopts Tweak Software’s RV-SDI to review visual effects shots from Star Trek Into Darkness.
Toon Boom Animation announces the release of Toon Boom Animate 3 and Toon Boom Animate Pro 3, offering the most comprehensive set of features to professional animators in one package.
eyeon Software announces the shipping release of their latest solution to drive production efficiencies and productivity, EPP.
Framestore helps McLaren celebrate the F1 brand's 50th anniversary with Tooned 50, retelling the history of McLaren's cars and digitally recreating key historic drivers such as Alain Prost, Ayrton Senna and Mika Häkkinen.
Studio AKA creates a unique world for Blue Diamond in Breezeville, where the town’s milkman Al and Breezy the dog show all the different ways that Almond Breeze can be used as an alternative to other milks.
Universal and Illumination Entertainment's Despicable Me 2 dazzles audiences over the long holiday weekend, fueling one of the best July Fourth holiday stretches on record, and posting a five-day debut of $142.1 million.
Aardman Animations’ Karni & Saul create a miniature predator story in the world of tattoos in Skinmean, a short for Channel 4’s Random Acts
The Japan Media Arts Festival Executive Committee announces the Call for Entries for the 17th Japan Media Arts Festival starting in 2014.
Universal and Illumination's 3D animated feature is eyeing a five-day debut in the $120 million range; Disney's big-budget Western may only earn $50 million to $60 million.
Digital artist Albert Co shares some of the concept and key art behind the most recent Lego Harry Potter video game.
Artists and companies from the VFX, gaming and animation industries to gather on Portugal's Troia Peninsula September 18-21 for the first-ever Trojan Horse Was A Unicorn festival.
Hybride helps take audiences to the heart of the action in White House Down with the production of several of the film’s highly realistic VFX shots.
Method Studios completes 185 shots, comprising four sequences, for Columbia Pictures’ White House Down.
Zoic Studios creates a photo-real talking dolphin, turning a friendly, silent creature into an overeager aquatic friend in Aquarium, a new spot for Dynamics ePlate.
A selection of four vfx progressions provided by Uncharted Territory's co-founder, Oscar®-winning visual effects supervisor Volker Engel.
Now in its second year, the SIGGRAPH Mobile program presents the latest advances in mobile technologies, graphics, and apps with talks, workshops, panels, and demonstrations with mobile innovators from around the world.
Uncharted Territory stepped up its management skills for Roland Emmerich's latest terrorist action/adventure.
Ahead of its North American debut, Universal and Illumination Entertainment’s Despicable Me 2 climbs its way up the international box office chart.
Program Director Nicolás Villarreal shares his insights on the school’s new visual development degree program as well as the challenges of helping students become working professionals.
The production veteran shares her insights on the trials and tribulations of bringing Pixar’s hit feature to the big screen.
Toon Boom Animation announces a reorganization of its product line with Animate 3, ideal for for frame-by-frame animation, and Animate Pro 3, ideal for cut-out rigging animation.
New clip from VFX supervisor Chris Godfrey shows how extensive blue and green screens were replaced with detailed landscapes in The Great Gatsby.
Disney reveals three hidden gems from Pixar feature Monsters University, including the famed CalArts classroom, Room A113, the Pizza Planet delivery truck and Luxo.