London-based VFX house uses a mix of LIDAR scan technology, full-CG ship elements and the organizational capacity of ftrack production tracking and management software to deliver visual effects for the BBC’s period drama ‘Poldark.’
Nickelodeon takes preschoolers on a magical genie adventure with animated preschool series ‘Shimmer and Shine,’ created by ‘Dora the Explorer’ production supervisor Farnaz Esnaashari-Charmatz.
VFX supervisor Greg Steele talks about bringing ants, wasps and a tiny superhero to the big screen in Marvel’s new action adventure.
New UI part of demos in Booth #801; “Straight Talk on Cloud Rendering” theme of organized Birds of a Feather event.
Global VFX powerhouse MPC’s expansion into China shows that despite considerable challenges, opportunities are there for the taking.
VFX supervisor Trent Claus discusses aging and de-aging the character of Dr. Hank Pym in Marvel’s new superhero feature.
Latest free update boasts 100 new and modified features including Maya 2016 support and advanced VR rendering.
Attendees will see Vantage in action with presentations by Vicon customers including ILM, Digital Domain and Epic Games, and virtual reality demos powered by Vicon systems.
New material exchange platform initially open to Substance Live users; Substance textures and smart materials can be distributed for free.
Directed and written by Beijing-based Light Chaser Animation founder Gary Wang, animated feature ‘Little Door Gods’ will be released in China on January 1, 2016.
What should have been an easy review ended up not being so easy.
A great way for people to share research hot off their hard drives, this year’s Posters will be featured on 10 digital display kiosks with each poster scheduled for a 25-minute presentation throughout the week.
Virtual reality installations include Legend3D’s project for ‘Crimson Peak’; the return of V-Ray Days to feature Method Studios, Atomic Fiction and Ruairi Robinson.
DreamWorks Animation veteran and series director Elaine Bogan details the production process from storyboarding through final delivery on DWA’s hit series that further explores the world of the ‘How to Train Your Dragon’ franchise.
Led by VFX/CG Supervisor Timothy Hanson, ZOIC Studios employs RealFlow to help create simulations for Marvel blockbuster ‘Avengers: Age of Ultron,’ completing nearly 100 shots for the movie.
Complementing his short film ‘Trail Mix: The Buffalo Ball,’ Hornet director Gabe Askew unveils ‘Trail Mix: Turtle Hurdle,’ an original mobile game for both iOS and Android.
The first full-length trailer for ‘The Good Dinosaur’ shows off the incredible photorealistic world built for the film as well as the more cartoonish characters that inhabit it.
New feature in Thinkbox Software’s scalable solution for managing compute resources across platforms on physical and virtual machines automates the configuration of render farms on Amazon EC2.
Chicago-based creative studio builds on its past successes with Marvel’s ‘Guardians of the Galaxy’ and ‘Captain America: The Winter Soldier.’
Team captures data from more than 160 attendees in four days with OptiTrack motion capture technology.
Splash Entertainment’s hit animated series ‘Sabrina: Secrets of a Teenage Witch’ flies into the U.K. with a new deal with Sony Pictures Television’s POP.
Pixeldust Studios animates remarkable journey by NASA’S New Horizons spacecraft into furthest edge of our solar system as presented in the new documentary film, ‘The Year of Pluto.’
Short film series ‘Tall Tales’ gains critical acclaim and a Vimeo Staff Pick; Crowdfunding campaign ends July 31st.
Flying Bark Productions confirms that Seven Network Australia is commissioning broadcaster for a brand-new series, ‘The Wild Adventures of Blinky Bill,’ set to air in 2016.
Animation and VFX studio pushes the boundaries of digital storytelling with the creation of a 3D concept reel for a state-of-the-art research facility at the University of Technology Sydney.
