In the third and final discussion, VFX supervisors Steve Meyer and Brad Kalinoski share insights into their innovative visual effects work on shows like ‘Criminal Minds’ and ‘CSI: Crime Scene Investigation.’
Celebrating his 100th Animation Industry Podcast episode, our host shares his path from a career in business to starting over in the world of stop-motion.
Leading VFX company continues its expansion efforts with purchase of Australia-based high-end visual effects studio; combined companies will have close to 800 artists in eight locations around the globe.
The interactive design and game development chair discusses the school’s remote collaboration on innovative game project, including interactive design, animation, visual effects, and sound design; virtual event’s ‘Making of Zoelie’ panel set for April 10.
Smoking wheels and burning rubber barely scratch the visual effects surface of DreamWorks Animation and Netflix’s high-horsepower street racing thriller, nominated for a Best FX for TV/Media Annie Award for the third season ‘Sirocco Fire Explosion’ finale.
The free virtual 3-day event running April 13-15 will feature presentations from notable creative directors, motion designers, and animation directors; live-streamed event will be available on demand following the show.
Who ya gonna call? Mini-Pufts are out of the bag, as new chapter in the ‘Ghostbusters’ Universe hits theaters November 11.
Whether its dramatic water splashes, dino drool, or bioluminescent beasts, DreamWorks Animation and Netflix’s adventure series, nominated for a Best FX for TV/Media Annie Award, strives for realistic visual effects that push the story forward through color and lighting.
Pôle 3D team honored with the annual award sponsored and presented by Autodesk; winning animated short follows the plight of a polar bear and its cub, while exploring current environmental and socio-political issues.
By using distinctive visual effects as a core series element, almost as a ‘character’ itself, Guillermo del Toro and Netflix’s Emmy Award-winning animated series has garnered an Annie Award nomination for Best FX for TV/Media.
Companies have teamed up for a worldwide watch party event that will coincide with the simulcast of episodes 969 and 970, as well as premiere of episode 971, including a pre-recorded Q&A featuring the voice actors and director.
The cute, lovable, but violent characters, Gloomy and Pity, jump from the toy shelf to the screen in new animated series; set to air on Tokyo MX station in Japan, global fans can check out the episodes on Gloomy’s YouTube, Twitter, and Instagram.
While reports remain unconfirmed by the ‘Wonder Woman’ star, sources claim the disgraced director clashed with the actor after she expressed doubts about aggressive dialogue.
Company resurrects legendary studio name; Sam Register and Vanessa Brookman to co-lead flagship TV animation studio formerly known as Cartoon Network Studios Europe.
Star-studded virtual ceremony, hosted by barb-slinging Patton Oswalt, included 25 category awards and special honors for VFX supervisor Rob Legato and director Sir Peter Jackson.
Hit animated comedy gets new season order ahead of its May 23 Season 2 debut; new episodes will air on Mondays in front of all-new animated comedy ‘Housebroken’ starting May 31.
The planned live/online hybrid event makes decision to go all virtual due to continuing coronavirus restrictions; the program runs May 4-9 and will offer a new ITFS VR Hub accessible by VR headset or browser, with media library viewing extended until May 16.
VFX supervisors Brigitte Bourque and Marshall Krasser share insights into their innovative visual effects work on shows like ‘Upload’ and ‘9-1-1: Lone Star.’
This year’s set of animated and VFX-driven TV series and video games represents top visual design and production work that rivals feature film visual effects in both quality and quantity.
The MCU’s favorite trickster must work alongside the Time Variance Authority to fix his Tesseract-related, time-altering mistakes; series debuts June 11.
Kate Mulgrew reprises her role as the captain, now an emergency training hologram, in the all-new CG kids’ series about a group of lawless teens who discover a derelict Starfleet ship; show will air on Nickelodeon following run on streamer.
Epic Pictures’ third and final installment of their ‘Space Dogs’ trilogy releases today on VOD; also playing in select theatres, the CG animated film brings astronauts Belka and Strelka back to earth in a new canine adventure.
Mike McMahan’s hit half-hour comedy about the crew of one of Starfleet’s least important ships also gets third season renewal by Paramount+.
The Sony Pictures Imageworks senior VFX supervisor discusses his studio’s integration of Epic’s game engine technology and real-time workflows into its animation production on a new episode of Netflix’s ‘Love, Death & Robots’ anthology series.
Free resource provides in-depth look into virtual production workflows, new methodologies, remote collaboration, in-camera VFX, animation, and what’s coming next in Unreal Engine 5.
