Category: CG
‘Peanuts Movie’ Unveils Little Red-Haired Girl
The Little Red-Haired Girl from Blue Sky’s ‘The Peanuts Movie’ makes her big CG debut with the help of voice actor Francesca Capaldi.
Iloura Bears it All for ‘Ted 2’
Iloura VFX supervisor Glenn Melenhorst discusses the return of Ted, the politically incorrect talking teddy bear that stars in Seth MacFarlane’s adult comedy sequel.
WATCH: Illumination Mac Guff’s Kyle Balda Talks ‘Minions’ at FMX 2015
Illumination Mac Guff director Kyle Balda discusses the challenges of bringing Illumination’s CG-animated feature, ‘Minions,’ to the screen.
A Conversation with Kyle Balda: Bringing ‘Minions’ to the Big Screen
The co-director of Illumination Entertainment’s highly anticipated animated spin-off details the challenge of giving the loveable yellow sidekicks of ‘Despicable Me’ and ‘Despicable Me 2’ their own film.
Pixar Animation Studios Releases RenderMan 20
Software update introduces important advances in physically based rendering for VFX and CG animation.
Milk Delivers VFX for the BBC’s ‘Jonathan Strange & Mr Norell’
London-based VFX house delivers 1,000 VFX shots for BBC mini-series ‘Jonathan Strange & Mr Norrell,’ including 3D environments, crowd simulations, water, mud and sand effects simulation, modelling and texturing, matte painting, animation and 2D work.
Fox Unveils New Trailer for ‘Alvin and The Chipmunks: The Road Chip’
Based on the characters created by Ross Bagdasarian, ‘Alvin and The Chipmunks: The Road Chip’ is directed by Walt Becker and arrives in theaters everywhere on December 23, 2015.
Rodeo FX Delivers Escape Sequence for ‘Tomorrowland’
Montreal-based visual effects studio combines practical elements with CG to create a realistic look for Brad Bird’s ‘Tomorrowland,’ including digital matte painting, bluescreen compositing, scene enhancements, CG effects and simulation.
LOOK: Pixar Unveils New Images from 'Sanjay's Super Team' Short
Director Sanjay Patel draws from his own experiences for the film’s story, which follows his journey from a California kid watching cartoons to a man respecting his father's Indian traditions.
MPC, Fabric Software Unveil Fabric for Pixar’s RenderMan
Thinkbox’s Deadline Heads to Microsoft Azure Marketplace
MPC and Arnold Go Back in Time for ‘Terminator: Genisys’
MPC VFX Supervisor Sheldon Stopsack examines the ins and outs of digitally recreating an iconic action hero for Paramount’s ‘Terminator’ franchise reboot.
SIGGRAPH Announces 2015 Production Sessions
SIGGRAPH announces the complete lineup for this year’s Production Sessions program for its 42nd annual conference, set for August 9-13 at the Los Angeles Convention Center.
Cogswell College Relocating to San Jose
600-student educational institution offering a unique curriculum fusing digital art, engineering and entrepreneurship, will relocate to a new site at 191 Baypointe Parkway in San Jose, CA.
ILM Tackles Marvel’s ‘Avengers: Age of Ultron’
ILM VFX supervisor Ben Snow discusses the enormity, complexity and challenges of the work his team wrestled with on Marvel’s latest superhero adventure.
Cospective’s cineSync 3.6 Adds Shotgun Integration
Cospective and Shotgun join forces to offer VFX, animation and post studios a faster way of working with built-in Shotgun Review portal built directly into cineSync.
IKinema Plugin Gives Solver Boost to Autodesk MotionBuilder
Discovery Family Picks up Tiny Island’s ‘Dream Defenders’
MPC Unveils VFX Breakdown for ‘Night at the Museum 3’
Led by VFX Supervisor Seth Maury and VFX Producer Laura Schultz, MPC Vancouver completed 250 shots for Shawn Levy’s ‘Night at the Museum: Secret of the Tomb.’
Perry’s Previews Movie Review: ‘Inside Out’
Pixar’s new film is the best animation film this year so far, and their best release since ‘Toy Story 3.’
PipelineFX Intros Monthly Pricing for Qube!
New subscription licensing plan offers fully supported version of Qube! render farm management software for $15/month for commercial use and $10.50/month for educational use.
WATCH: Filmakademie Diploma Film ‘366 Days’ Tells a Touching Tale
Filmakademie Baden-Württemberg graduate Johannes Schiehsl uses Autodesk Maya, Chaos Group’s V-Ray, and Adobe After Effects and Premiere to create his award-winning diploma film, ‘366 Days.’
Xsens’ MVN Wearable Motion-Capture System Helps Push 'Ted 2' VFX to New Heights
Lightweight inertial capture suits allow production company MRC to lay down Ted’s performance live on set.