Studio’s doors opened May 13 with 150+ new hires; studio’s latest Canadian expansion comes amidst tremendous growth in worldwide demand for VFX and animation services.
Updates to the cross-platform virtual camera solution include more seamless integration and support of Unreal Engine 5; new features streamline the creative workflow and accelerate the virtual production pipeline.
Leading VFX and animation company expands previous agreement with streamer in an extension worth a minimum of $350 million.
The quirky comedies - ‘Pastacolypse,’ ‘Millennial Hunter,’ and ‘Big Bruh’ - will expand the Fox-owned animation production studio’s growing feature slate.
Based on the popular ‘Owl Diaries’ kids’ book series by Rebecca Elliott, and part of the Apple TV+ kids’ changemakers initiative, the show is infused with lessons encouraging kids to use writing as a tool for healthy self-expression.
Animated film spun off from the networks hugely popular series promises to satirize workplace culture, Gen Z struggles, tech, and social media; led by award-winning actress Tracee Ellis Ross, the voice cast includes Pamela Adlon, Kal Penn, William Jackson Harper, and Zosia Mamet.
HBO Max’s ‘Gremlins’ prequel series, coming later this year from Warner Bros. Animation and Amblin Television, features the voices of Min-Na Wen, James Hong, BD Wong, and Izaac Wang.
In a video update on the game’s upcoming sequel, creator Sam Lake confirmed that the network has secured rights to adapt its story for the small screen.
Leading technology company’s real-time visual collaboration platform provides the magic for new innovative storytelling experience from Emmy Award-winning creators of ‘Lost in Oz’ series.
The studio reveals a few details and a piece of concept art for its 27th feature film, helmed by Peter Sohn, set for a June 16, 2023 release.
The actor will join director Wingard for the first time since their acclaimed work on ‘The Guest’ to write the next chapter in Legendary’s Monsterverse.
PXO and William F. White International’s Vancouver virtual production stage, at 22,000 square foot - 80 ft x 27 ft 6 in, lined with 2,500 LED wall panels and 760 LED ceiling panels – has been confirmed as the largest such facility in the world.
Patton Oswalt and Jordan Blum’s stop-motion comedy series – produced by Stoopid Buddy Stoodies - about a megalomaniacal supervillain who gets ousted from his own evil organization, is done after only one season at the streamer.
Animated by TeamTO and recently launched on Netflix, the animated action comedy is coming soon to families in the Middle Kingdom through Tencent Video.
Post houses Cadence Effects, Running Man, and Shishkin Productions sign on as members of the association of post-production facilities, labor unions, and individuals operating in New York; the organization develops and promotes public policy aimed at benefiting the overall film and TV industry.
After 26 years, founding member Sir William Sargent is stepping down to focus on the Framestore Company 3 Group; Claire Price assumes role of CFO as of July 1.
Studio nabs rights to bestselling author Soman Chainani’s fairy tale anthology; author known for his popular ‘School for Good and Evil’ young adult fantasy saga.
Indian artist, writer and activist Aabid Surti and Technicolor Creative Studios India head Biren Ghose will be honored at this year’s virtual summit; the even runs May 23-27 and registration is free.
Written by franchise creator Akira Toriyama, the second ‘Dragon Ball Super’ feature is Crunchyroll's first ever international release in cinemas.
Created by Telescope Animation using Unreal Engine 5, the film tells the story of a teenage humpback whale who must face his fears and summon a mystical song to save the oceans from a monstrous creature.
The company adds Melinka Thompson-Godoy to helm studio’s Canadian efforts; Chloe Grysole is upped to MD Canada, Film & Episodic, tasked with oversight of Vancouver and Montreal studios.
The Searchlight-sanctioned project marks the actress’ feature film directorial debut, and the ‘Scott Pilgrim vs. the World’ helmer and writer’s second cinematic spin on a Bryan Lee O’Malley story.