When Nik and I accepted our invitation to attend the 19th edition of the World Festival of Animated Film in Zagreb, Croatia I was curious to see if they had learned from their mistakes and had returned Animafest to its former place as one of the most prestigious animation festivals in the world. I had been very critical of the festival the year before when a new, younger, inexperienced staff replaced long time Festival Director Margit Anatauer, affectionately known as Buba. I am very happy to report that Animafest Zagreb has regained its place of honor.
Animafest 2009 did everything right and then some. The premiere screenings were held in the beautiful old Kino Europa with on stage interviews for all animators who were present. Animators were given hospitality for the entire festival, not just for three day as happened last year, and there were daily interviews with animators, directors and film guests. Igor Prassel conducted them at the French Cutural Institute and they were well attended. Igor knows how to ask the right questions and then give the interviewee space to answer, while keeping the conversation on track.
Melodrama Pictures has announced that the award winning film Mary and Max by the Academy Award winning Australian director Adam Elliot (Harvie Krumpet) will be released on the Sundance Select on-demand platform of Sundance Channel. Beginning on October 14 Mary and Max will be available on the on-demand platform of major US cable operators including Comcast, Cox and Cablevision. The film will also have an Academy Award quilifying release in Los Angeles which will make it eligible for this years Academy Awards.
A feature-length claymation animation film, Mary and Max opened the 2009 Sundance Film Festival. With voices by Philip Seymour Hoffman, Toni Collette, Eric Bana and Barry Humphries, the film tells the story of a 20-year pen-pal friendship between two very different people: Mary Dinkle, a lonely 8-year-old girl living in the suburbs of Melbourne and Max Horowitz, a 44-year-old Jewish man living an isolated life in New York City. The film is a triumph of emotion, insight and eccentricity – a complete delight. In May, the film shared the Grand Cristal Best Feature award at the prestigous Annecy Animation Festival with Henry Selick’s Caroline.
The 3RD KLIK! Amsterdam Animation Festival - back, as the organizers say "with a vengeance", will be held from the 17th to the 20th of September in - yes, you guessed it, Amsterdam.
From a humble but spirited beginning, the festival has blossemed into an International Competition with a separate Student Competition, and will be made up of over 700 films from 50 countries this year.
Alongside the competition programs, the festival will also spotlight the power of animation as an adult art form with 2 special themes: Political Animation and Erotic Animation. A special award for the best politically motivated film is also new this year.
American film historian Dennis Nybeck, already familiar to many animation fans on both sides of the Atlantic, will present special programs from his vast collection of vintage films, and a compilation of Brazilian animation will put this year's featured country in the spotlight.
The 36th Edition of Flanders International Film Festival Gent, Belgium October 6 through 17, 2009 will feature Anime as part of it's salute to the world of Asian cinema. A highlight of the festival will be a retrospective from the renowned Japanese animation house Studio Ghibli founded in 1985 by directors Hayao Miyazaki and Isao Takahata . Miyazaki, the creative force behind many of Studio Ghibi's films, has been able to transcend cultural boundaries with his themes of ethics, pacifism, and the relationship between humans and nature and his films are as well loved in the West as they are in Asia. The films by Hayao Miyazaki to be screened at the festival are: Castle in the Sky (1986), Spirited Away (2001), Howl's Moving Castle (2004), and Ponyo On the Cliff By te Sea (2008). I must admit that I am sad to see that Porco Rosso, my personal favorite, won't be shown. I would love a chance to see the mighty pig fly across the big screen again.
The CYBER SOUSA ANIMATION FESTIVAL in XIAMEN, CHINA will be held October 30 through November 3, 2009
If you read my blog regularly you know that I have visited animations festivals in China twice in the past year. I find the members of the Chinese Animation Community to be lovely people but the quality of the work leaves much to be desired.
After a great deal of thought I have decided that as members of the world wide animation family we cannot ignore an emerging nation with such a large population that is turning out a great deal of animation, even if most of it is very formulaic and industrial.
One of the best ways that we can influence young Chinese animators is by exposing them to high quality work that is being created in other parts of the world, by entering Chinese animation festivals.
Annecy 2009, June 8 through 13th, was its usual mixed bag. On the plus side there were lots of old and new friends to see and some fantastic special screenings. On the other hand the majority of the short films in competition were mediocre. Since networking and doing business has become one of the major purposes of the festival, it was definitely a success in that department.
May 22nd 2009
Hi all! Time certainly flies when you’re having fun. Class 2 went by in a flash with my mentor Jon Collins and now I’m in Class 3 with freelance animator Dana Boadway.
As before, each assignment builds upon what has been learnt previously so this term I’ve been pushing body mechanics further with a heavy lifting assignment, a push and a back flip (based on Donald O’Connor’s “Make ‘em laugh” routine from Singin’ in The Rain). I can’t wait to get into the acting soon but that’s still a few weeks away!
I’m currently in the blocking stage of my back flip animation but I’d like to share something I learnt from my first assignment this term, a heavy lift. When you’re still learning the basics of animation don’t stray too far from your video reference! Exaggerate of course but don’t go doing something almost completely different. My heavy lifting assignment went a little bit wrong because of this as I couldn’t find footage of something heavy enough for what I wanted. I then thought to myself, no problem, I’ll just make it look heavier when it comes to animating it, good grief I shouldn’t have done that! Anyway, lesson learnt and my next assignment came out a lot better.
It is hard to believe that the Monstra Animated Film Festival in Lisbon, Portugal is only 8 years old because each year the festival leaves me with a lifetime of memories. The 2009 edition (March 9 – 15, 2009) moved downtown from its prevision location so that it could reach more of the community. The experiment worked well, with good-sized audiences for the screenings. The majority of the screenings took place in the lavish Art Deco style Cinema Sao Jorge. The cinema, built between 1947 and 1950 by the British Rank Organization to showcase their films, was once the largest movie palace on the Iberian Peninsula.
There are records of Chinese residents in Lisbon from as early as 1540 and to honor this segment of the population the Museu do Oriente (Museum of Oriental Art) was opened in the heart of the Asian Community last year. This year it was the ideal site for respected Japanese abstract animator Maya Yonnesho’s 3-day workshop. She and a group of students “toured” Lisbon via two wall sized pictographs in the museum, which they used as a starting point to create their film Lisbon Mix which was filmed all over the city. The finished film, capturing the sights and sounds of the city through Maya and her student’s eyes, was screened on closing night. Along with a retrospective of Maya’s films there were showings of Chinese animator Li-jun Sun’s Zhang Ga! and Through The Moebus Strip by Clenn Chaika from China and the United States.
The Museu da Marioneta (Puppet Museum) in conjunction with Monstra mounted an extensive exhibit of puppets and sets from Jose Miguel Ribeiro’s new film Passeio De Domingo (Sunday Drive). There were also drawings and photographs used in the making of the 20-minute film, which was conceived in Lisbon, built in Montemor, filmed in Belgium and France and with post production taking place in the Netherlands. I especially enjoyed the visual representations at the museum of the route that Jose Miguel traveled as he went to these countries working with different teams of professionals in their three different languages. It was amazing to see the attention to detail that was taken with each character and set.
I have been anxiously awaiting this film because I am a large fan of his earlier film, The Suspect, which won more International awards than any other Portuguese film up to the present time. When Nik and I screened The Suspect as part of our Ideas In Animation series our audience was delighted with the puppet animation that tells the story of four people on a train that may have a serial killer on board. Several years ago Nik and I visited Jose Miguel at his workshop in Montemor and saw the first puppets being created, so I was eager to see the film, which was screened at the closing night ceremony. Passeio De Domingo lived up to my expectations and I am sure we will all have ample opportunity to see this touching humorous story of a family’s Sunday drive that turns into a road trip.
The Museu da Marioneta also showcased Papirossy, a “lung-drawn” animation and audiovisual installation created by Otto Alder, acclaimed animation historian, documentarian, and co-chairman of HGKL (Hochschule fur Gestaltung und Kunst Luzern) in Luzern, Switzerland. “Lung-drawn” is a confusing phrase that refers to Otto blowing cigarette smoke onto cardboard which was combined with animation to create an effect which he describes as “an installation that visualizes time through imprinted smoke on cardboard to create an effect where time is frozen, the past stays fixed, and emotions are visualized by integrating animation into a mixed media installation.” Papirossy is the first lung-drawn animation ever filmed and the installation has traveled worldwide.
I have written about the Art Institute at Bournemouth and their exceptional animation program before. Peter Parr, Reader in Animation and his colleagues consistently produce award winning students who find good places in the animation industry when they graduate. Peter and his colleagues have plenty to be proud of this year.
Graduates Geoff King and Beth Witchells took home multiple honors for The Great Race, winning The Royal Television Society Award and a £500 award at Animated Exeter. Richard Williams presented them with his DVD Animator’s Survival Kit as their award at Animated Encounters.
Fish by Dennis Constantinou and Chara Sottou picked up the Best Student 2D Animation Award at Animex and was also a Royal Television Award nominee. IO, created by Alex Wad, Robert Nelson, and James Swindells was also nominated for the Royal Television Society Awards where it was gained a Special Jury Mention.
When Simon Taylor, a young British animator, first told me about the Online Animation Mentor Program I was anxious to learn how it worked first hand. For the last few months I have followed Simon's progress. As he told me more and more about the program I realized that many of you might not be aware of this on-line opportunity and so I have asked Simon to write about his adventure. Whenever Simon feels that he has something to say and has the time, more installments of his adventure will appear here.
Good morning, afternoon and evening fellow wanderers of the Internet. My name is Simon Taylor, I'm an animation student and I've been invited by Nancy to share with you my experiences at the online animation school Animation Mentor. Just to give as brief an intro as possible about myself, I've been animating in one shape or form since a very early age. From 2001 to 2006, I was entering films into the Co?Op Young Film?Makers Festivals, which really gave me the enthusiasm to keep pushing myself to get better and is how I came into contact with Nancy.
Lucerne International Animation Academy 8-12 of December 2009
The institute Design of Lucerne University of Applied Sciences and Arts will organise the first Lucerne International Animation Academy from the 8–12 of December 2009. The goal of this Symposium is to encourage a theoretical debate about current and historical questions of animation as an independent form of the “Moving Picture Production” in Switzerland.
Nik and I just received word that German Director Andy Kaiser's animated film, FRIENDLY FIRE has been accepted for the TRICKFILM FESTIVAL, May 5 through 10 in Stuttgart, Germany. This is a major festival and we are very excited. Nik created the music and we send congratulations to Andy, Cadi Catlow, and all of the other people involved in this wonderful film about the horrors of war. If you are planning on attending the Festival be sure not to miss FRIENDLY FIRE.
I always look forward to ANIMA BRUSSELS , not just because it is in Brussels which is only a 30 minute train ride from my home in Gent, but because it is a wonderful opportunity to see a wide array of animation. The Festival, housed in the beautiful Art Deco Flagey building, takes place February 20 through the 28th, Carnival week vacation in the city, and features programs for all ages.From Hayao Miyazaki’s new masterpiece, Ponyo on the Cliff by the Sea, which I was lucky enough to see earlier this year to a tribute to American film maker Ralph Bakshi there will be something for everyone at ANIMA BRUSSELS. Bakshi created the first X rated animated film with his 1972 adaptation of R. Crumb’s emblematic underground comic strip Fritz the Cat.
Riga, Latvia is one of my favorite cities. The Daugava River running through the center of the city before it reaches the Baltic Sea makes it a wonderful city to walk through. Riga is a historians delight, full of architecture that reflects the diversity of cultures, from the 12th Century German conquest and art nouveau delights to 1991, when the country won independence from the former Soviet Union. The architecture of the Soviet period is still interesting to give you a feel of how the city was when it was still part of the Soviet Block.
Sergei Eisenstein was born in Riga and his father, a famous architect, designed many of the beautiful art nouveau buildings. The city reminds me very much of St. Petersburg. It has the same beautiful yellow and rose hues of paint and when the sun light hits at the right angle the city glows – sort of like those evenings in San Francisco when the sunset hits the windows of the buildings and they glow golden.
MONSTRA ANIMATION FESTIVAL in Lisbon, Portugal is an event that Nik and I always look forward to. This year the festival has moved dates from mid-May to the 9th through 15th of March.
The 2009 competition is open to feature films completed after January 1,2007 and student works made after January 1, 2008.
The festival treats work with the utmost respect and screening at the lovely, modern theatre are of the highest quality. Nik and I have been invited to be guests at the festival again this year and I can whole heartedly encourage all feature film makers and those with student works fitting the qualifications to enter their film.
You can contact the festival for complete regulations and an application at: email@example.com.
The deadline for submission is January 15, 2009. They accept DVD, VHS or mini-DV for selection purposes.