Sprockets

The first hint of trouble came when I received my envelope with the invitations for special screenings and parties for the week.  There was no invitation to the opening night ceremony or the party.  I was looking forward to seeing the opening night film The Illusionist but was told that this year no journalists had been given tickets because they were just too many people and 150 seats had been relegated to non-industry VIP’s (which translates to money people).  Journalists were told that there was no problem, that our names had been placed on a request list and we should just keep checking back with the press office to get our passes.  To make it even worse, two hours before the ceremony we were finally told that there was no possibilities for us to get tickets.  I finally managed to get a ticket from my friend and fellow journalist Olivier Cotte, who had gotten two tickets from someone who didn’t want to see the film.  Both Olivier and I wasted a good part of Monday afternoon looking for tickets instead of seeing films.

This is an excellent festival that I whole heartedly endorse and encourage you to send your film to.
Submit your film now at www.haff.nl!

Holland Animation Film Festival is proud to introduce 2 brand new competitions; the international competition for features and the competition for European student films.

HAFF launches the international competition for feature-length animation films.

This new competition is open for all European films produced at art and film academies, or comparable studies.

We also invite you to submit films for the following competitions:

I know that spring is on the way each year when it is time to travel to Lisbon for the MONSTRA Animation Festival (March 11 through 21).  After the long, hard winter in Northern Europe, the prospect of Portuguese sun was doubly appealing.

To commemorate the 10^th anniversary of the festival, Artistic Director Fernando Galrito dedicated the first four days of screenings to showcasing Portuguese animation. Opening night traced the history of Portuguese cinema, beginning with the 1923 political satire O Pesadelo de Antonio Maria (The Nightmare of Antonio Maria) directed by Joaquin Guerreiro.

Comic strip characters inspired most Portuguese animated films until the 1960s. The rise of domestic television advertisements took the work in a different direction.  Then in 1974 following the Carnation Revolution new opportunities opened up for the countries animators.

Anyone who attends Animation Festivals immediately recognizes the British gentleman with the warm smile, a twinkle in his eye, and sketchbook in hand.  Peter Parr and his lovely wife Astor have been dominant figures on the animation scene for over three decades.

If you have never had a chance to meet or  see the amazing films of the Great Russian Animator Yuri Norstein do not miss this rare  opportunity.Yuri will appear in person on Feb 7 to present 3 works: Hedgehog in the Fog, Tale of Tales, and a segment of his work in progress, Nikolai Gogol's Overcoat.  Tale of Tales has been recognized as the greatest animated film ever made.
The first two will be accompanied live by Gojogo - a Berkeley based world music quartet with guest artists who will perform a new original score for the animations. The entire duration of the screening will be about 1h20m. Doors 8pm, screening 8:30.

The show will be a benefit to raise funds for Yuri Norstein's studio in Moscow.

Only a few festivals stand out in my memory as a perfect combination of excellent animation programs, superb organization and top-notch hospitality.  Fredrikstad Animation Festival, November 11 through the 15th in Fredrikstad, Norway was such an event.  Of course, how could I not love a festival where the award is named The Golden Gunnar, after my good friend Gunnar Strom, Norwegian professor and animation historian.  The statue, a moveable golden armature sculpture of Gunnar, complete with his wild long hair, designed by renowned sculpture Pjotr Sapegin.
At the heart of the festival is the Nordic-Baltic competition comprised of three competition programs and a separate screening of the top student films.  Some of the films were very familiar to me such as Kaspar Janice’s wonderful Crocodile and Signe Baumane’s Birth, however I made many new discoveries.
The biggest surprise was Anita Killi’s Sinna Mann (Angry Man), based on a popular Norwegian children’s book of the same name by Gro Dahle and Svein Nyhus.  Killi’s disturbing film is about a boy who blames himself for the repeated acts of domestic violence that he witnesses.  The story is loosely based on a true incident in a Norwegian village, where several children wrote to the King asking for his help in dealing with the violence in their families. They assumed that tbe King could do anything. The King was extremely touched and invited the children to the royal palace so that he could explain to them that their father’s behavior was not because of anything that they did.
I was told that when the King saw Anita’s film he cried.  Obviously the jury and audiences were equally moved because the film was awarded as The Best Nordic-Baltic Short Film as well as receiving the Audience Award.  The jury stated that Angry Man is a “dark theme told in a naive but very wise way.  It is an important film for all ages that really gives a positive solution to a terrible problem.
An interesting departure from most festivals was the third competition program carried a warning “This program is not suitable for children”.   It certainly did contain some strong material.  The opening film, Ralph and Jimmy, by Swedish director Jacob Stalhammar dealt with pedophilia.  The competition went on to Dildoman,set inside an unusual strip joint and Watch Alice Bleed, an 11 minute stop motion music and theater show whose title tells it all.  I didn’t think that I would ever say that Signe Bauman’s Birth was one of the tamer films in a program, but in this case it was.  I commend the festival programmers for putting together a program that was challenging to watch and sure to offend some of the audience, but with films deserving to be screened.
In addition to the Nordic-Baltic films there was a presentation of International Short Films, a special Children’s Program and a screening of the five 2009 Cartoon d’ Or finalists. The winner for 2009 was David O’ Reilly’s Please Say Something.  He received the prestigious award a few weeks before at the Cartoon Forum in Stavanger, Norway.  Several feature films such as Mary & Max and Coraline were also screened.
The Festival abounded with guests and special moments.  The Opening Night ceremony started on a very touching note when revered Norwegian animator Inni Karine Melbye was awarded a Life Time Achievement Award for her many contributions to animation.  To add to the joy of this special evening, Inni was presented her award by her old friend and collaborator Michel Ocelot.  Michel flew in from France for the one night just to honor his colleague.  He kept his arrival a secret, even eating dinner in his room that evening so that no one would see him and spoil the surprise.  The next morning, he was on his way back to France.

Greetings one and all!

So as I wander into the final week of my penultimate term at Animation Mentor I thought this would be a good moment for a blog entry. I'm currently on the train on my way to work typing this on my phone though so I will do my best to quality control my mistypings and bizarre predictive text choices! Trains are brilliant places to observe people, there are certainly a few poses and character traits that I'm going to save for a future shot! Although right now there appears to be mainly varations on sleeping. The evening rush hour is great too, pleanty of variations of walks and runs! These are definitely my new favourite source of inspiration. I've also recently started accumulating footage for my own video reference library and I've discovered a brilliant source is the news as you get (most of the time) 100% natural moments from people.

When I received my invitation to the 2nd Xiamen International Animation Festival (October 30 to November 3, 2009) I looked forward to my second visit to Xiamen.  The first edition of the festival had been a positive experience even though the quality of the animation that I saw was sadly lacking in quality. The members of ASIFA China who organized the event showed every sign of trying to follow ASIFA festival guidelines.
The e-mail that invited me said that my formal invitation, which is necessary to get my visa to visit China, would follow.  Then I waited, and waited, and waited.  Months passed.  It finally arrived on October 13th, barely two weeks before I was due to leave for China.  I had assumed that I was being invited for the entire festival, so I was very surprised to see that I would arrive on the 1st of November and leave again on the 4th.  I would only have two full days there and be in the air or in airports for almost as many hours as I would be at the Festival.
I later found out that four other ASIFA Board Members had similar problems receiving their invitations.  It turned out that the local government had taken control of the festival away from last year’s organizers.   Although ASIFA was still listed as a co-organizer, ASIFA’s policies regarding treatment of films and filmmakers was being woefully ignored.  Apparently the new government organizers decided to “uninvite” three ASIFA Board Members to save money but we were not informed about this.  What I did not find out until later was that we were not reinvited until ASIFA made it plain that either the entire Board be invited or none of us would attend the festival.
On October 29th I was preparing to leave for China on the 31st when an e-mail arrived from Oscar winning animator Gene Deitch who had been invited to the festival as a special guest and key note speaker.  He had gone to the Chinese Embassy in Prague, where he lives, and was denied a visa. Deitch thought that they took one look at his age and decided that they didn’t want to risk having to ship a guest back home in a body bag.  Gene is 85 years young and shows no signs of slowing down either mentally or physically.  The festival staff was very apologetic and asked Gene to videotape a message to be played at the festival.  He duly did that and his controversial message can be seen on over a dozen web sites (Google “Gene Deitch, Xiamen").
That evening I also received an e-mail from my ASIFA Board colleague Mohamed Ghazala from Egypt who had received his invitation to give a presentation in Xiamen several months before.  He had been anxiously awaiting his plane ticket which had finally arrived that day.  The festival had arranged for him to fly out the next day (October 30th).  He would arrive on the 31st,  give his presentation on the 2nd and then depart for the airport 15 minutes after he finished delivering his paper.   He would be in China one full day, which was even more absurd than my two day visit.  A very frustrated Mohamed decided not to attend the festival at all.
I was beginning to ask myself “Why am I going?” but I was very curious to see for myself exactly what was going on so I forged ahead. I had a 4 hour delay in Beijing due to an unexpected heavy snow storm, which I later learned was also a great surprise to the local residents.  The government had seeded the clouds for snow as an experiment without announcing it to the public. Unfortunately I arrived too late on Sunday to visit the Animation Products and Technology Exhibition and Exchange or to see the 2 days of Cosplay Competition.
Monday dawned very early with an 8:15 meeting time to take the bus to the Forum.  After welcoming speeches from the Director of the Xiamen Municipal Information Industry and Nelson Shin from ASIFA, the General Manager of the Application and Multi-Media Center of China Mobil, Fujian Branch, delivered the keynote speech “Mobil Phone Animation, the Next Stage for Animation.”

Any time that a 150 of the world’s greatest experts in the animation, comics and the gaming industry come together for a week, it is pretty amazing.  It is even more amazing when we are all flown to China to deliver papers.  That is what took place September 14 through the 17th at the 2009 International Animation, Comics, and Gaming Forum in Jilin, China.
Guests as diverse as Ed Hooks (United States), pioneer of acting training for animators and author of numerous books and articles; noted Australian independent animator Dennis Tupicoff, and Mark Osborne, director of Kung Fu Panda showed and discussed their work.  All of this took place over three days in the Animation Forum Theatre with two other rooms devoted to the Cartoon Forum and lectures from the gaming industry.