An Aussie, a Brit, a Latvian and an Israeli walk into a bar - The Animation Pimp discusses the issue of why animators are making such big, fat films.
The Animation Pimp
The Animation Pimp interviews legendary mad man JJ Villard. And lives to tell the tale.
A partner in crime at the Ottawa International Animation Festival, recently suggested that I should address a relatively familiar (meaning it was probably two people who asked) question asking why we don't show more funny films. Believe me, I want to show funny films. If I could, that's all we'd be showing. The problem, mon chums, is that I just don't think that most of you make funny films.
There are films that have blitzed my senses into giddy, drunken stupors of delirium and bewilderment, riotous exhalings of creativity, desperation, and experimentation. Too often, these voices expire as rapidly as they respired, brief greetings before vanishing into the crowded darkness. One of the first animation films to short circuit me was Hilary by then Royal College of Art graduate, Anthony Hodgson.
Pretty much everyone thinks they can do selection better. I go to Annecy and other festivals and can't understand what the committees and juries are thinking. But...what you and me are doing is presuming there are good and bad ways of doing selection. Festival committees and judges are not these detached demi-Gods standing above and beyond us mortals. They are just everyday folks, as biased, passionate and flawed and well-meaning as you and your films.
As I sit in the chemo clinic lazy boy chair, I see a headline on the tv about an episode of South Park inspiring students at a Canadian school to have a "Kick a Ginger" Day. I laughed and imagined kicking Seth Green in Radio Days. Nurse looks up at me. My IV bag shook.
Animators Unearthed features writings on 20 international animators including: Chris Landreth, Don Hertzfeldt, Suzan Pitt, Pat Smith, PES, Michaela Pavlatova, Joanna Quinn, John Canemaker, Barry Purves and more.
I shared emails with Pete Elmsie on Friday. I wrote him to apologize for the personal attacks that were leveled on him and Theo and Amid. These attacks came from both sides of the debate.
In the last Animation Pimp column, Chris Robinson looks to the stars to see what animation means to him.
This month the Animation Pimp gets a little queer about the gay hysteria circling around various cartoons.
Chris Robinson has a new take on the impact of Chris Landreths Ryan and the need to celebrate those who have successfully overcome their demons.
Zombies attack the world of animation! The Animation Pimp seems to think there coming from ASIFA chapters all over the globe.
The Animation Pimp returns with a third installment in his unsung animators series. This time riding with Stephanie Maxwell.
The Animation Pimp looks back on the emotional agony of receiving an award at the ASIFA-East Festival.
The Animation Pimp offers a very personal journey of self-discovery and advice as he eulogizes his grandfather.