Abstract animation has its own festival category but how well do we really understand its roots in the world of abstract art?
I’m an artist. I have two Disney plush toys in my studio and I painted them. Am I contravening copyright if I show or sell them?
Do degree art schools teach you how to accurately draw the illusion of a form in space? And do we care?
Learning animation on your own is very doable. This fourth of the four part series on the tools of the trade looks at vector based softwares for animation.
This short time-lapse video tracks the process of installing Maurizio Cattelan’s exhibition “All” at the Guggenheim in November 2011.
Learning animation on your own is very doable. This third of the four part series on the tools of the trade looks at vector based softwares for animation.
Success brings contracts, and contracts bring legalese. To get past the legalese painlessly, you need a good crib sheet and The Pocket Lawyer for Filmmakers gives you just that.
Learning the basics of animation on your own is very doable. This second of a four part series on the tools of the trade looks at inexpensive, small, and fast storyboarding softwares used for animation.
Learning to create animation on your own is very doable. This post, one of a series focusing on the tools of the trade, looks at the basics of creating a sound track for your film.
In this, the third of three articles on the work of Georges Schwizgel, we follow the production of Romance and examine Schwizgebel's unique way of visualizing his animated world.
In this, the second of a three part series on the work of Georges Schwizgebel, we look at his pre-production process.
Georges Schwizgebel’s films are swirling journeys through space and time. The first of a three part series, this article looks at the inspiration behind his films.
Both the award winning documentary !Women Art Revolution and the associated booklet should have pride of place in libraries that collect resources on American art history.