Expounding on the vicissitudes of children’s content creation in China.
Earlier this year, I had the pleasure of participating in a roundtable discussion with Natasha Shetye and April Wang on the subject of creating children’s content in China. A recording of our conversation - the 18th episode of the MIDDLE EARTH podcast, “It Pays To Play: The Economy That Runs On Whimsy” - covers off on the opportunities & challenges of creating content for kids in China across media ranging from film and TV, to theme parks, theatre and the Internet. The conversation is more than 6 months old, but still remarkably relevant - especially for China, where things can change overnight, and often not to your benefit.
As a “cheat sheet” for those who don’t have time for the entire one-hour discussion, I share observations on...
- ...the role of women in children’s content creation. (03:29 - 05:20)
- ...the pedagogy of children’s content. (08:20 - 09:01)
- ...values in children’s content in China vs the West. (11:29 - 13:51)
- ...tailoring theme parks to local family values. (14:50 - 15:54)
- ...the role of focus groups in children’s content. (21:39 - 23:11)
- ...children’s content development and distribution. (24:03 - 25:10)
- ...grassroots word-of-mouth among Chinese parents. (25:57 - 26:37)
- ...the Chinese approach to building theme parks. (28:30 - 29:51)
- ...educational children’s content in China. (33:41 - 34:54)
- ...content restrictions in China. (34:56 - 36:34)
- ...foreign content creators in China. (36:35 - 38:15)
- ...cognitive dissonance in Chinese content. (39:14 - 40:43)
- ...content investor expectations and impact. (41:45 - 42:52)
- ...chasing money vs pursuing quality. (43:02 - 45:15)
- ...KUNG FU PANDA and Chinese heroes. (47:18 - 48:33)
- ...China’s “Frost Boy” social media phenomenon. (49:26 - 51:05)
- ...foreign film box office restrictions in China. (51:44 - 52:34)
Enjoy!
Kevin