The creator and visual supervisor discusses his world-building and design work on the upcoming VFX-driven Netflix Original Series.
The legendary industry pioneer shares his insights as an artist, director, visual effects supervisor and survivor, including thoughts on digital character performance and conflicts with studio executives.
Will the VR revolution be stunted by its own myopic evangelists?
It’s not surprising this film opened at number one in Japan when it first hit theaters in 2013.
Literally and figuratively.
AWN’s resident “Miscweant” has a dog day afternoon with the voice, writing and directing talent behind the new stop-motion animated feature from Wes Anderson.
A simple method that makes it easier to fill in your blank pages
More than 60 years separate these animated films featuring Wes Anderson and Walt Disney’s very different takes on man’s best friend.
Ex-pat animation producer gives the inside scoop in freewheeling podcast.
The 2018 edition of Anima Brussels was an exceptional mixture of special events and competition screenings. First and foremost was the salute to Estonian animation in honor of the 100 year anniversary of the independence of the Republic of Estonia.
Late-life fatherhood is a personal and professional game-changer.
The Miscweant offers his "late" Oscar prediction for best animated short film.
The application of elbowroom and abstraction in VR.
“I live and die by this book!”
At long last, AWN’s resident Miscreant returns to writing about animation – in particular, two recent features, From China and Japan, that couldn’t be more different.
The CTA’s annual Consumer Electronics Show once again displayed, center stage, the future of technological innovation.
The world of 2045, according to ‘Ready Player One.’
Winning contests are fantastic for getting publicity.
Heard any good films lately?
The hero's journey in VR.
The evolution of storytelling in VR.
Artificial intelligence meets emotional intelligence in VR
Thoughts on getting immersive media right.
The Oscar-winning director details the exhausting and exacting oil painting on canvass stop-motion technique he used for his latest animated feature about Vincent van Gogh.
How we often see the bigger picture.
