'Secrets of Corel Painter Experts': Brian Haberlin
In the excerpt, Spawn artist Brian Haberlin takes readers through how he brings the comic to colorful life.
'The Advanced Art of Stop-Motion Animation': An Interview with Larry Bafia & Webster Colcord
In the latest excerpt, Ken A. Priebe interviews stop-motion vets Larry Bafia and Webster Colcord about working on Claymation classics like the California Raisins.
'Secrets of Corel Painter Experts': Waheed Nasir
In the excerpt, artist Waheed Nasir gives tips on using Painter and shows how he created his "Those Gloomy Hours" piece.
Back to the 'Futurama'
Joe Strike chats with Futurama co-creator David X. Cohen about bringing the former Fox series to Comedy Central.
Dr. Toon: Dark (Side) of the Moon: The Lost Transformers
Martin "Dr. Toon" Goodman gets a rare opportunity to travel to Cybertron and interview the Transformers firsthand.
Talking 'Tintin' with Spielberg and Jackson
Bill Desowitz reports back from Weta in New Zealand, where he viewed exclusive Tintin footage and spoke with Steven Spielberg and Peter Jackson.
'Secrets of Corel Painter Experts': Andreas Rocha
In the excerpt, artist Andreas Rocha talks about his initial exploratory phase of a painting in Corel Painter.
'The Advanced Art of Stop-Motion Animation': Visual Effects - Part 3
In the latest excerpt, Ken A. Priebe delves deeper into effects, including an in-depth look at the eye compositing for the Oscar-nominated short Madame Tutli-Putli.
A Unique Collaboration - 'Ingrid Pitt: Beyond the Forest'
Learn more about Ingrid Pitt: Beyond the Forest, a collaboration between the actress Ingrid Pitt, animation legend Bill Plympton and 11-year-old artist Perry Chen.
'The Advanced Art of Stop-Motion Animation': Visual Effects - Part 2
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe discusses the use of bluescreen and advanced compositing.
The Advanced Art of Stop-Motion Animation: Visual Effects - Part 1
In the latest excerpt from The Advanced Art of Stop-Motion Animation, Ken A. Priebe shows readers how to bring visual effects to their stop-motion work.