Jerry Beck recounts his fascination with anime and how his frustration with Hollywood's attitude towards it led him and Carl Macek to do something about it.
In the early days of American television, anime gained a small foothold. Fred Ladd, who played a key role in this effort, recalls what happened.
I am very proud to present the first of a series of monthly comics to appear in Animation World Magazine featuring the international stars, Purdy, The Dirdy Birdy and Furgerina, from the heart-warming short animated film, The Dirdy Birdy. Soon The Dirdy Birdy will have his very own web site accessible through Animation World Network and everyone will be able to enter the strange and dysfunctional world of Purdy, The Dirdy Birdy. If you choose, write to The Dirdy Birdy at email@example.com.
Sincerely John R. Dilworth
All Rights Reserved. JRD 1996.
John Gosling looks at some of the differences between Western and Japanese animation, as well as speculating on the various cultural influences seen in anime.
A survey of how anime spread through the major countries of Europe and the difficulties it encountered in terms of censorship. John Gosling reports from England.
The GiggleBone Gang is alive and well at Seattle-based Headbone Interactive. Judith Shane explains it all.
Cori Stern provides a test to see if you too can join the executive ranks at the animation company of your choice.
Belgium filmmaker Raoul Servais, who recently completed his first feature, talks with Philippe Moins about his films, international festivals, and the problems of making features, among other things. En franis (in French).
TVC, one of Britain's most innovative studios is getting ready to shut down. Jill McGreal talks to John Coates, who succeeded founder George Dunning, and celebrates 40 years of creativity.
The director of such films as films as Crac!, The Man Who Planted Trees and The Mighty River talks with William Moritz about filmmaking, the environment and his teacher, Mathurin Meut.
Frollo, narrator of The Hunchback of Notre Dame. © Walt Disney Pictures.Max Fleischer's motto was "If it could be done with live action, it's not animation," and Dave Fleischer once griped to me about how many thousands of times he had to repeat that to the animators over the years to get them to improve their work with those imaginative, visionary impossibilities that belonged exclusively to the realm of creative animation. What would the poor Fleischer brothers think about the current animation scene, in which almost every animation studio is involved in duplicating...
Attorney Pam Schechter explores the ways cartoon characters are exploited and the type of money that's involved.
Tom Sito attempts to puncture some of the illusions about what it was like to work in Hollywood's Golden Age of Animation of the 1930s and 40s, showing it may not have been as wild and wacky as some may have thought.
A look at the films of Britain's Sue Loughlin, and how she explores themes relating to sports, as well as social reform and women's rights.
Art Culture and Technology (ACT) is attempting to bring animation to this year's Atlanta Olympics as part of an innovative multimedia installation. Mark Segall reports.
Animator Howard Beckerman explains why, "Cartoon characters are the only personalities you can trust."
In celebration of Quirino Cristiani's centennial, we are republishing Giannalberto's classic profile of the Italian immigrant who made the world's first two animated features.
Once of America's most prominent independent animators, Robert Breer continues to explore historical perspectives and experiment with new techniques. Jackie Leger looks at his career, past and present.
In 1984, ASIFA-Hollywood and the Academy of Motion Picture Arts & Sciences put on a unique mini-animation festival as part of Los Angeles' Olympic Arts Festival. Harvey Deneroff profiles the woman behind the Olympiad of Animation, along with listings of films, including the landmark poll of the 50 greatest animated films of all time.
Picks from Olympiad animators Melinda Littlejohn, Raul Garcia, George Schwizgebel and Jonathan Amitay.
The 12th World Festival of Animated Films was held June 10-14, 1996 in Zagreb, where artists, journalists and lovers of animation from around the world gathered to watch more than 50 films representing the best in international animation. Although it is only one in a growing number of important international animation events, Zagreb is unique among festivals for several reasons. Most importantly, it represents not only the proud heritage of Croatia's famed Zagreb School of animation, but also a significant political and cultural institution for the emerging democratic Croatian society....