Jerry Beck reviews Disney's latest, Tarzan, a film that follows the familiar genre but adds a few new tricks and a masterful grasp of animation techniques and innovations.
We've all heard his unmistakable tunes time and time again in our favorite 'toons, but who is the man behind the music? Irwin Chusid portrays maestro Raymond Scott.
Annecy's MIFA is becoming a key event for the European animation industry. Insider Christian Davin explains why.
A Californian winery is experiencing a boom in Japanese sales...why? Because one hot shot manga character chose to drink their Pinot Noir.
You've heard it before. To get a good job in the entertainment industry, youhave to know someone. But that's okay, because you do know someone. And that someone knows someone.If you have enough someones in your network, you can get a good job. Thismonth I am going to tell you what networking is and how it works. Next monthyou'll read about how to do it.
Most animation and Beatles fans know Yellow Submarine is a great film, but why did it take 17 years for MGM to revive this classic in theaters and 12 years to bring it back to video stores? Karl Cohen relates the unusual circumstances that led to the film's re-emergence on the silver screen.
The Classical Animation Society at the Savannah Collegeof Art and Design critique Danny Antonucci's Ed, Edd n Eddy, a popularnew series on Cartoon Network.
Renowned drawing instructor Glenn Vilppu offers the seventhinstallment in his bi-monthly Animation World Magazine online drawingcourse.
Joseph Szadkowski details the proceedings at E3 and details the new games and products, and who is bringing them to life for us.
After nearly three decades of research and study, MichaelBarrier's book, Hollywood Cartoons, is finally here, and as Bob Miller relates, well worth the wait.
Robby London, Executive Vice President of Creative Affairs at DIC Entertainment, has known a few troubles getting productions off the ground, but this one was a doozy. Several years ago, as they were negotiating the rights to the song "Monster Mash," executives at DIC saw a short by Italian cartoonist Guido Manuli Chi Ha Paura (Who's Afraid). They found the horror-comedy tone and characters to be just right, met with Manuli, and married song to project. The first problem was that Robby London didn't speak Italian and...
Russell Bekins colorfully portrays the events in Positano, Italy, where for a few days the world's animation elite invade a small seaside fishing town for Cartoons on the Bay.
Italian animation director Enzo D'Aland his company,Lanterna Magica, are riding high after the success of Lucky and Zorba.
Russell Bekins colorfully portrays the events in Positano, Italy, where for a few days the world's animation elite invade a small seaside fishing town.
A panel of experts discuss how the introduction of new technology into the advertising world has changed the business of making commercials.
Art Spiegelman takes us into the world of the Tijuana Bibles, little hand-drawn pornographic pamphlets that provide a subversive peak at America from the 1930s-1950s.
Scott Maiko reviews Saturday Morning Fever by Timothy& Kevin Burke and reveals some good historical facts and a lot of nostalgicfluff.
Belgium has long been a mecca of comic strip stars. Philippe Moins takes us on a tour of a museum dedicated to these national treasures. Available in French and English.