In which Chris Robinson asks animators profound and inane questions that have little to do with animation. Today's guest is U.S. indie animator, Dana Sink (Power).
Dana Sink is an indie animator from Pennsylvania. His films have played on many screens, probably more than your Mom’s films. He agreed to meet me on the ledge of a hotel window above a nearby airfield gate at the New Chitose Airport in October 2014 whilst being serenading by approaching Japanese police cars and screaming Dutch tourists.
I get the greatest pleasure from....
Besides making art and animations? Eating cookies. Canada has some pretty good cookies.
The trait I like least about myself is
I get hangry… I eat a lot of sugar to balance that out… not the best idea.
The book I value above all others is
It’s a tie between three books:
Lucian Freud, The Studio by Lucian Freud
Piet Mondrian: Life and Work
Animation Sketchbooks by Laura Heit
I love seeing contemporary animators’ processes.
A (non-family member) person I have high respect for is....
Peter Millard. I like that he produces a nice body of work with a unique and relevant vision. I am able to easily see references to art history’s past while connecting his vision to the future of animation. I see him pushing boundaries of animation not unlike the abstract expressionists pushed the boundaries of the art world. The first time I saw one of his animations (Hogan) it blew my mind and changed my art and how I see animation forever.
The song that makes me tingle is....“Perfect Day” by Lou Reed
The funniest thing that happened to me….
I was hit by a car in a grocery store parking lot. It was kind of weird because when I was on top of the car (not realizing what happened), the only thing I cared about was not scratching the car with my car keys. I was ok. It was such a perfect day.