Flickerlab Overpowers Cancer Monster for Lehigh Valley Health Network
Development, design and animation studio FlickerLab has created “Overpowering A Monster,” a :30 animated spot for the Lehigh Valley Health Network.
Development, design and animation studio FlickerLab has created “Overpowering A Monster,” a :30 animated spot for the Lehigh Valley Health Network.
Mothership director David Rosenbaum teamed with OgilvyWest for “Robotarm” for Cisco that broke during the NFC Championship broadcast on January 22.
Ed Lantz will give a keynote presentation, Dive Into Immersive Entertainment and the Transmedia Hub, at Createasphere¹s Entertainment Technology Expo on Thursday, March 1st, 2012.
Are you science? Are you art? Do you daydream of computations or calculate in creativity? Are you a student? If so, you will find yourself right at home at SIGGRAPH 2012. Science and art will come together in one outstanding international conference to explore computer graphics and interactive techniques from both points of view, and YOU can be a part of it!
The first season of the award-winning CGI animated series Transformers Prime arrives on DVD and Blu-ray on March 6, 2012.
10th Ave announced six 2D and 3D animation feature length projects are in preparation at the regional production house in Saint-Augustin-De-Desmaures, near Quebec City.
The new subtitle "Conference on Animation, Effects, Games and Transmedia" sums up the essence of the 17th edition of Europe’s largest conference on the creation, production and distribution of Digital Entertainment. In 2012, FMX focuses on new Animated Features, Visual Effects and Games as well as specific topics such as Virtual Production, Previs, Digital Worldbuilding, Lighting und Rendering, Cloud Computing, Industrial CG and Transmedia.
e-on software today announced the immediate availability of the French and German versions of its product line for 3D Enthusiasts and 3D Artists: Vue 10.
ILM supervisor Craig Hammack sweeps through the VFX challenges of George Lucas' pet project about the top guns of World War II.
CoreCG announced the release of MentalCore -- a cross-platform, standalone plugin designed to help artists achieve maximum creativity and efficiency while using NVIDIA mental ray with Autodesk® Maya.
Artistic Image creates an interactive 2D/3D projection mapping show for The Chattanooga RiverRocks Festival that interacts with The Hunter Museum's neo-classic façade.
Tap into the tale of Mumble and his musical friends in the Antarctic with “Happy Feet Two,” arriving onto Blu-ray 3D Combo Pack, Blu-ray Combo Pack, DVD and Digital Download on March 13.
Arthur Christmas, the Aardman production for Sony Pictures Animation, continues to collect post-holiday presents from critics groups across the country, as the 2011 awards season starts to pick up speed.
Animated feature film Back to the Sea will be opening in theatres across Canada in both 2D and 3D on Friday, January 27th, 2012.
Patton Oswalt, nominated by the Chicago, Toronto and Los Angeles Film Critics’ Associations for his performance in the film Young Adult, will host this year’s 39th Annual Annie Awards.
Celebrate Star Wars: Episode I The Phantom Menace as it returns to theatres in spectacular RealD® 3D with exclusive activities and giveaways at AMC® Theatres.
A sampling of some of the best quotes from the visual effects Oscar nomination presentations, along with a few catty conversations overheard at the reception.
Image Metrics, Inc., a provider of digital facial animation technology and services for the entertainment industry, announced the sale of its industry leading FACEWARE™ product line to a newly formed spin-off company - Faceware Technologies Inc.
Cut&Paste, the international digital design tournament pitting the best 2D, 3D and motion/animation pros across 12 global cities, announced the addition of Helsinki – the 2012 World Design Capital – to its 2011-12 tour.
ILM visual effects supervisor Ben Snow shares his insights on turning sultry underwater vixens into vicious battling mermaids, all in stereoscopic 3-D
It’s been close to 2 decades since I last saw the original Beauty and the Beast, sitting mesmerized right alongside my then 3 year old daughter Becky. Sitting mesmerized right alongside my now 23 year old daughter as we watched this beautiful new version of the film, I can safely say the ends justify the means and the tremendous amount of work to bring this film to 3D has produced a visually stunning experience.