Immersive “through-the-ages” ad campaign launching the all-new Honda HR-V Crossover includes two new spots, ‘Give and Take’ and ‘Great Thinking Inside.’
Category: Visual Effects
Leading DI house colorist Stephen Nakamura employs Blackmagic Design’s DaVinci Resolve for D-Cinema and Dolby Vision color grades for director Brad Bird’s sci-fi adventure ‘Tomorrowland.’
Industrial Light & Magic helps Iron Man handle The Incredible Hulk with a new armoured suit in Marvel’s ‘Avengers: Age of Ultron.’
Does George Miller’s latest ‘Mad Max’ film have the same “cyan/orange” look dogging so many recent big action movies?
Non-profit organization dedicated to the advancement and development of previs across disciplines including feature film, television, commercials, games, visualization and architecture announces the first of many planned initiatives.
New television ad for Marvel’s ‘Ant-Man’ reveals additional footage, showcasing the film’s humorous edge but still packed with plenty of action.
Swedish VFX and animation studio Fido creates hundreds of 80s-tinged VFX shots with everything from green screen compositing to characters riding atop a Tyrannosaurus Rex for David Sandberg’s ‘Kung Fury.’
Burbank and Vancouver-based visual effects studio creates a CG river of ooze, CG ships, CG set extensions and more for the second season of WGN America’s first original series.
Production company reteams with legacy client for five-part miniseries based on the Texas Revolution against Mexico and the birth of the Texas Rangers.
Led by David Sheldon-Hicks and Nick Glover, creative directorial team set to deliver effects for ‘Agent 47,’ Ridley Scott’s ‘The Martian’ and ‘Mission Impossible 5.’
David Sandberg’s Kickstarter-funded short features elaborate CG characters and environments created in 3ds Max, Maya and Mudbox
New interactive projects for Google’s Spotlight Stories to include work from ‘Wallace and Gromit’ producers Aardman, ‘Feast’ director Patrick Osborne, ‘Foster's Home for Imaginary Friends’ creator Shannon Tindle, and ‘Furious 7’ director Justin Lin.
The Australian VFX studio tackles a variety of futuristic graphic elements on Marvel’s latest tentpole feature film.
Quebec government is lending Montreal-based visual effects studio $1 million to expand its operations, part of a $4 million investment.
Feature film currently in production in Beijing includes dazzling VFX work by Phenom Films, the largest privately-owned visual effects studio in China.
Led by VFX supervisor Eddie Robison, interactive marketing agency leverages Blackmagic Design’s Fusion Studio to deliver complex CG environments and more for NBC’s long-running fantasy series.
Dinosaurs, Video Game Monsters and Action Movie Icons return this summer for a blockbuster reunion at the multiplex.
Sydney and Los Angeles-based visual effects and animation studio expands into Vancouver with three-picture deal with Warner Bros. beginning with ‘The LEGO Movie Sequel.’
Graphic art director Alan Payne and Territory Studio tackle the challenges of bringing super-sized personalities to the small screens of Marvel’s latest super hero tentpole.
Thirteen-year commercial production veteran to oversee operations, sales and marketing for Digital Domain’s Advertising and Games division.