Global short film and video competition for the film and advertising industries recognizes House Special’s ‘A Tale of Momentum & Inertia,’ ‘A Girl Named Elastika’ directed by Guillaume Blanchet, and NYOD ‘Long Live New York’ by Y&R New York.
Category: Visual Effects
Move underlines role as the leading trade organization for industry professionals across the content production, finishing, distribution through archive lifecycle.
3D conversion company partners with Metaverse on ‘The Recruit: R U In,’ a new interactive project currently featured on Samsung’s Milk VR store.
Culver City-based visual effects shop partners with independent game studio to enhance the visual experience for the launch of the company’s debut title.
Led by VFX supervisor Stu Aitken and art director Jon Beeston, Bristol and Glasgow-based visual effects studio creates the visual effects for the brand-new BBC sci-fi series ‘Eve.’
HP DreamColor Display used in production of Oscar-nominated films, including DreamWorks Animation’s ‘How to Train Your Dragon 2.’
Framestore's London and Montreal teams deliver over 500 shots to help realize the Wachowski’s lavish and beautifully designed sci-fi universe, including CG hero characters, CG environments, digital doubles, and a host of CG space ships and planets, along with all manner of explosions, fireballs, shattering glass and liquid nano-technology.
Visual studio handles all aspects of new campaign from Team Detroit from concepting the approach to live-action production and VFX and post.
Short film narrated by Patton Oswalt is chock-full of visual effects both obvious and subtle, all powered by Red Giant technology.
Autodesk acquires Tweak’s image and sequence playback tool RV; Tweak and Shotgun teams to work together to advance review and collaboration technology.
Interstellar’ is given the award for outstanding special effects; ‘The Bigger Picture,’ by Chris Hees, Daisy Jacobs and Jennifer Majka, wins the prize for best British short animation.
In one of the best debuts ever for the month of February, Paramount and Nickelodeon Movies’ ‘The SpongeBob Movie: Sponge Out of Water’ soaks up $56 million for its domestic opening.
Hollywood-based VFX facility completes production on a new commercial for Chinese car manufacturer Qoros Automotive using Cospective’s Frankie and cineSync to help cross The Great Firewall.
Red Giant’s Magic Bullet Suite 12 delivers GPU-accelerated, real-time color correction and grading, 198 new Looks presets, Streamlined UI and UX, and an all-new Magic Bullet film.
Toronto-based visual effects shop provides feature-quality effects on a television budget with the use of Blackmagic Design’s Fusion Studio.
Nvizible is tapped to provide visual effects for Matthew Vaughn’s Kingsman: The Secret Service, in theaters February 13.
Conference on Animation, Effects, Games and Transmedia to explore the impact of immersive technologies on financing, content creation, distribution and viewing behavior across different platforms.
The Oscar-nominated VFX supervisor breaks down some of the key grand finale action on Marvel’s second ‘Captain America’ hit.
Independent VFX and design house promotes visual effects producer/compositing supervisor to newly-created post of Head of Operations and Strategy.
New role will see Walker lead the design of characters and environments across the London Integrated Advertising team’s CG work.