Gala event spotlights leaders and innovators in post production; winners include Technicolor, Encore and Company 3.
Category: Visual Effects
Linkin Park and visual effects and design company Ghost Town Media employ Dell Precision workstations and NVIDIA Quadro GPUs to create a 3D world for Linkin Park’s collaboration with electro house DJ Steve Aoki, “A Light That Never Comes.”
Jon Robertson joins visual effects house Mokko Studio as head of business development for Los Angeles.
Digital Domain was a producing partner on the adaptation of Orson Scott Card's sci-fi classic, which provided more creative freedom.
Visual effects post production studio ArsenalFX produces visual effects featured within three celebrity-directed short films, presented as part of the 2013 Canon/Ron Howard “Project Imagination” Film Festival.
The Academy of Motion Picture Arts and Sciences explores cinema’s roots in stage magic and sleight of hand during “Like Magic,” to be hosted by sleight-of-hand artist Ricky Jay, special effects supervisor Shane Mahan, and stage and screen illusion designer Michael Weber on Wednesday, November 20, at the Samuel Goldwyn Theater in Beverly Hills.
With PipelineFX's innovative Education Burst License program for Qube!, New York’s School of Visual Arts students can easily tackle project deadlines.
LOOK Effects produces visual effects for Wes Anderson’s ‘Grand Budapest Hotel,’ set to open the Berlin Film Festival on February 6, 2014.
Framestore welcomes Annette Wullems to the VFX team as Senior Producer on Jupiter Ascending, the Andy and Lana Wachowski film.
LightWave 3D Group announces the final release of LightWave 11.6 software for 3D modeling, animation, and rendering and of the NevronMotion plug-in for LightWave 11.
Presenters are announced for the award ceremony at the World Animation & VFX Summit Opening Night Party on November 3, 6:00 – 10:00 p.m. at the California Yacht Club in Marina del Rey, CA.
Digital Domain 3.0 announces the promotion of VFX Supervisor Eric Barba to Chief Creative Officer/Senior Visual Effects Supervisor.
MassMarket and Ogilvy partner with Prettybird director Paul Hunter and Time Warner to launch the new television network Revolt.
Manhattan Edit Workshop announces the return of From the Cutting Room, November 21, which will feature the visual effects duo Rob Legato and Mark Russell.
Ntropic founder & creative director Nate Robinson receives a Special Recognition award in the Artistic and Technical Achievement category at the 2013 Flame Awards.
VFX Producer Sophie Orde joins Framestore’s film department, where she has been hired to run the production for Universal’s ‘Dracula Untold.’
Framestore's Oliver Bersey helps director Matt Lossoso to tour through Doctor Who history in the trailer for the 50th anniversary special airing November 23.
CVMP Conference to explore cutting-edge advances in post production technology; speakers include Tim Webber, VFX Supervisor on ‘Gravity.’
Disney releases concept art for the 'Avatar' installation underway at the Animal Kingdom theme park located at the Walt Disney World Resort in Orlando, Florida.
Chris Meledandri to give keynote address at 2013 VES Summit; Andrew Merkin, Head of Special Projects and Transmedia at Mirada Studios, and Max Michael, Head of Business Development, Asia at UTA, among highlighted Speakers.
Nvizible completes over 180 visual effects shots for Sony Pictures’ Captain Phillips, including CG helicopters, airplanes and seascapes.
CafeFX co-founder Jeff Barnes partners with Portland-based digital production and animation studio Bent Image Lab to oversee the company’s new Digital Media Group.
The deadline for submissions to the 12th Annual VES Awards honoring the most outstanding visual effects in film, television, animation, commercials, special venue projects and video games is November 22, 2013.