Rushes has recently completed the opening title sequence for Touchstone Pictures' KING ARTHUR (opening July 7). Loosely based on the true story that inspired the legend of King Arthur, the film focuses on the history, politics and warfare at the time of the Roman Empire's collapse in 476 AD. The title sequence sets the background from where the films narrative begins. Rushes composited sequences reflecting the passage of the Roman conquest from Samaria in Palestine, throughout Europe and reaching Britannia.
Category: Visual Effects
Edmonton's Glenrose Rehabilitation Hospital's Syncrude Centre for Motion and Balance has used motion-capture software to help a six-year-old boy walk, reports THE GLOBE AND MAIL. Using the same technology that was used to create Gollum from THE LORD OF THE RINGS trilogy, the hospital's "gait lab" helped doctors determine a surgical strategy to help Quinn Kozlowski, who suffers from cerebral palsy, walk.
Originally planned to kick off the summer 2005 season, MISSION: IMPOSSIBLE 3 will now open in theaters on June 29, 2005. Paramount Pictures' move is likely in response to SPIDER-MAN 2's huge box office receipts leading up to the Independence Day holiday in the States. The Tom Cruise starrer will now go head to head with 20th Century Fox's THE FANTASTIC FOUR, which is set to open July 1. Whether Fox will move F4 is yet to be seen, however Fox will be happy that it will now have May 6 all for itself for its Ridley Scott-directed Crusades epic, KINGDOM OF HEAVEN.
Impact Pictures has announced that its next videogame-turned-feature will be DRIVER, based on Atari's top franchise, reports VARIETY. Impact co-founders Jeremy Bolt and Paul Anderson will produce the film along with Constantin Film's Bernd Eichinger. The script was written by James DeMonaco, Todd Harthan and James Roday. Constantin's L.A. head of production Robert Kulzer will exec produce.
Impact previously translated the RESIDENT EVIL videogame franchise into a film in 2002 and will be following up with the sequel RESIDENT EVIL APOCALYPSE this September.
Burger King Corp. announced the availability of eight kids meal toys based on Sony Pictures' SPIDER-MAN 2. These Spider-Active toys are Burger King's first premiums with sun-reveal technology that enables a secret Spidey symbol to appear when the toys are in sunlight. The premiums are available at participating Burger King restaurants nationwide with the purchase of a kids meal from June 28, 2004, to Aug. 8, 2004, while supplies last.
Imax Corp. is in discussions with Sony Pictures to remaster SPIDER-MAN 2 for release in its large-format theaters, reports VARIETY. Imax is anxious to fill the empty spot in their lineup now that Warner Bros.' has pulled CATWOMAN from Imax because the visual effects won't be done in time to remaster the film for a day-and-date release July 23, 2004.
Twentieth Century Fox and Adobe Systems have teamed to create an interactive, 3D experience for Fox's I, ROBOT Website (www.irobotmovie.com) -- the first motion picture Website to utilize Adobe's Atmosphere technology. The site allows visitors to create and build their own robot, selecting its body parts, color, texture and gender. Visitors can also issue commands that demonstrate the robots mobility and agility. In addition, the site allows visitors to interact with the robots inside the world of I, ROBOT.
Sony's SPIDER-MAN 2 shattered the opening day record yesterday by snaring a stunning $40,442,604M in its web. That's better than SPIDER-MAN's $39.4M debut two years ago, which went on to earn $403.7M as the fifth highest grossing movie of all time. SPIDER-MAN 2 also tagged the best Wednesday opening ever, besting THE LORD OF THE RINGS: THE RETURN OF THE KING's $34.5M.
FOX Network and its FX cable channel have paid Sony Pictures TV $50 million for the broadcast/cable rights for SPIDER-MAN 2, reports VARIETY. As part of a 10-year agreement, FOX receives three runs of the movie during the first three years, starting December 2006. In 2010, Sony will have the rights to sell the film to other broadcast networks to share rights with FX for the last seven years of the contract. The original SPIDER-MAN flicks took in $60+ million from FOX and Turner's TBS/TNT.
Director Tim Burton is busy indeed. Simultaneous to production commencing in London on the stop-motion CORPSE BRIDE, he has also started production in the same city on CHARLIE AND THE CHOCOLATE FACTORY. Based on the classic Roald Dahl novel and filmed once before in 1971 as WILLY WONKA AND THE CHOCOLATE FACTORY, CHARLIE is a Warner Bros. Pictures and Village Roadshow Pictures production.
VFXWorld ends the month and our focus on education and jobs with an informative school survey that covers everything from core philosophies to evolving tools and curricula to meet the digital demands our ever changing 3D industries. Technology vs. technique. It's always a tough balancing act. Plus Steven Mirkin gets a few helpful hints from vfx houses about what they're looking for in new hires.
NVIDIA Corp. broadened its already expansive graphics line with the introduction of four new NVIDIA Quadro professional graphics solutions based on PCI Express. Leveraging this next-generation bus architecture, NVIDIA doubles the bandwidth of its AGP 8X-based products to more than 4GB per second in both upstream and downstream data transfers.
COMDEX Las Vegas 2004 has been postponed in order to reshape the event with the cooperation of information technology (IT) industry leaders, it was announced by organizer MediaLive International Inc. COMDEX 2004 had been scheduled to open November 14, 2004, in Las Vegas. The company has established a COMDEX Advisory Board representing the IT industry's foremost companies to determine how COMDEX can reboot itself to best meet the future needs of the industry.
Mercedes' latest commercial, CLOUDS, a follow-up to last year's award-winning MOVEMENT, broke across the U.K. on June 22, 2004. The HD ad (created by CDD's Walter Campbell and directed by MJZ's Nicolai Fugslig) boasts The Mill's most demanding vfx job, resulting in the London-based studio applying new working practices across the 3D department as a result of the project.
yU + co provided motion graphics design, computer animation and visual effects services for both the marketing campaign and the main title sequence of Steven Spielberg's THE TERMINAL. The studio's design team collaborated with its recently formed visual effects department to create a CG replica of an enormous "split flap" airport flight information board that spells out the film's title and other messages.
On the eve of the premiere of the SPIDER-MAN 2 movie, National Geographic Channel will air SPIDER POWER at 8:00 pm on June 25, 2004, an extraordinary look at the evolution of one of the most successful hunters on the planet. This one-hour special uses spectacular macrophotography and stylized CGI bring to bring viewers within attack range of some of the worlds most ingenious predators and their super powers.
Framestore CFC has wrapped work on a new spot titled ILLUSIONS for the Audi A6. The spot features an Audi A6 traversing a cityscape that seems at first to be normal, but gradually warps and transformations of the streets and buildings that create impossible paths and spaces form.
V12 and Panopoly Pictures are merging their respective design and production departments to form Full Circle, a the new company that will provide live-action production, branding motion graphic design and animation to clients in the feature film, commercial and broadcast arenas. Leading the joint venture are V12 founder David Hwang and Panopoly Pictures co-founder Kathryn Peaslee.
Softimage Co. announced that it will premiere its SOFTIMAGE|XSI version 4.0 software at industry events in New York and Los Angeles on June 28 and July 13, respectively. The events - sponsored by HP and Intel Corp., and part of Softimage's "i am 4 power" campaign - will feature product demonstrations of SOFTIMAGE|XSI v.4.0 software running on the latest technology from HP, Intel and NVIDIA Corp.
Once viewed as a sequel to Columbia's JUMANJI, ZATHURA, also written by novelist Chris Van Allsburg, is now being produced as a stand alone film with Tim Robbins as star. Lensing will begin in August with ELF helmer Jon Favreau in the director's chair. David Koepp, John Kamps and Eric Fogel wrote the screenplay. Michael De Luca and Bill Teitler will produce.
The story follows two brothers whose house is transported into space and wrapped up into an intergalactic adventure Robbins will play the boys' father.
VES 2004, held last weekend in beautiful San Rafael, California, was a sheer delight. The sixth annual festival of the Visual Effects Society, in which the baton was symbolically passed from founder Tom Atkin to new executive director Eric Roth, offered the latest in vfx creativity and technology (Mars and MYTHBUSTERS were two favorites). But the buzz was all about how games are catching up to movies in vfx quality, which is now being stressed in schools, the inevitable acceptance of outsourcing and the need to unionize.
THE LOST SKELETON OF CADAVRA (Columbia TriStar Home Ent., $24.96) is one of the best examples of kitschy B-movie sci-fi in recent memory a reminder of our primitive vfx origins; it streets June 22, 2004, on DVD. Aliens from Mars crash land on Earth and the key to thwarting the invasion lies in reviving a talking skeleton. Larry Blamire's instant cult classic contains the following DVD features:
* Director and cast commentary* Character commentary* Blooper reel* American Cinematheque Q&A featurette
Ryan Church, concept design supervisor at Industrial Light & Magic (STAR WARS EPISODES I, II and III) is the Grand Master award winner for EXPOSÉ 2, the latest in the series of digital art books from Ballistic Publishing that will begin shipping in July. The Grand Master is awarded to an artist exhibiting outstanding skill and contribution to the advancement of digital art. A graduate of Art Center, Church began his career at Walt Disney Imagineering (blue-sky concepts for future theme parks) before freelancing at Universal and hiring on at ILM in digital feature production.
Whodoo EFX recently completed vfx for THE STEPFORD WIVES. Led by president/digital effects artist Helena Packer and exec producer Mark Ritcheson, the Whodoo EFX team collaborated closely with famed comedy director Frank Oz, Academy Award-winning visual effects supervisor Richard Edlund and Award-winning art director Terry Windell.