As part of AWN’s Professional Spotlight series -- a series of exclusive video interviews shot during FMX 2014 – Max Solomon, an animation supervisor at Framestore, talks about the animation, previs and onset virtual technology used on the Oscar-winning film ‘Gravity.’
Category: Visual Effects
Russell Earl, a visual effects supervisor at Industrial Light & Magic, discusses the extensive previs and visual effects work done on Marvel’s 'Captain America: The Winter Soldier' and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Your questions about the future might just be answered in the new trailer for Brad Bird and Disney’s upcoming fantasy flick.
Alex McDowell, world-building expert and Professor at USC’s School of Cinematic Arts, discusses world building, film and animation production design, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
The creator of the now Autodesk-owned 3D sculpting tool, Mudbox, Cardwell was a recipient of the Academy’s Technical Achievement Award in 2013.
Artist workstation batch render support extends ability to optimize render farm manager’s path to visualization software.
Designed for organizations with multiple artists, workstations and facilities, new program features easy-to-manage floating license model for world-class motion graphics and visual effects plug-ins.
The ‘Star Wars’ and ‘Indiana Jones’ star crash lands vintage plane on Venice, California golf course.
Andy Serkis, actor, director and producer, discusses his pioneering performance capture work in roles like Gollum, Caesar, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
‘Captain America: The Winter Soldier’ and ‘Interstellar’ lead nominations for the 41st Annual Saturn Awards with 11 and 10 nominations, respectively; ‘Guardians of the Galaxy’ follows with nine nominations.
Carl Rosendahl, PDI Co-founder and Associate Professor, Carnegie Mellon’s Entertainment Technology Center, discusses the founding of pioneering CG studio PDI, the industry’s ongoing economic volatility, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Sponsored by Autodesk, the CG Student Awards is the largest event for visual effects, feature animation and next-gen gaming students.
A new crop of animated and VFX-heavy films should free us from the icy grasp of this winter’s brutal cold streak.
Chris DeFaria, President, Animation, Digital Production and Visual Effects at Warner Bros., discusses the success of ‘Gravity,’ assessing a film’s marketability, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
MPC NY bolsters award-winning 3D team with new addition of VFX veteran with over 13 years of top-notch experience in the advertising industry.
Oscar-winning international animation and film production company opens a new office in Melbourne headed by executive producer Katie Mackin.
Creative studio brings Robert Rugan’s short film to life by believably adding animated characters into a live-action world.
Jon Landau, James Cameron’s longtime producing partner at Lightstorm Entertainment, discusses the ‘Avatar’ sequels, new technologies, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Unmatched toolset for VFX/Games/Animation tracking and review brings world-class production pipelines to studios of all sizes.
Shotgun’s production management, review and tracking tools enable small team of VFX artists to complete the stop-motion film’s 300 shots in just over three months.
Full-service boutique’s animation, visual FX & motion graphics talent tapped to create a digital journey that brings the rich history of Kansas City’s iconic Union Station building to life.
Big Block creates 1,000 FPS interactive experience for Critical Mass and Nissan “Meet The Machines.”