Category: Visual Effects
Acclaimed 3D toolset MAXON Cinema 4D delivers powerful capabilities for key hologram sequences in blockbuster sci-fi film finale.
The Foundry teams with Image Engine to deliver a behind-the-scenes look at ‘Jurassic World’ in the latest installment of The Foundry Sessions broadcasting live from London on Thursday, December 17th.
Easy-to-use plugins pay tribute to iconic sci-fi visual effects, emulating lightsabers, blaster bolts and transitional wipes.
First theatrical trailer for the new ‘Star Trek’ movie to be attached to ‘Star Wars: The Force Awakens’ alongside trailers for ‘Captain America: Civil War,’ ‘Batman v Superman: Dawn of Justice,’ ‘X-Men: Apocalypse’ and ‘Independence Day: Resurgence.’
Deluxe-owned company is commissioned by Lucasfilm and The Walt Disney Studios to create the stereoscopic editions for three upcoming releases in the iconic ‘Star Wars’ franchise.
Hornet director Peter Sluszka teams with agency Grey to show drivers what happens on the other side of the windshield in a clever new puppetry PSA, ‘Stop The Roadkill,’ for The Humane Society.
‘The Wizarding World of Harry Potter’ featuring the iconic Hogwarts Castle officially opens at Universal Studios Hollywood on Thursday, April 7, 2016.
Chicago design studio draws inspiration from glowing red Pym Particle and macro/micro world visual language to create unique main-on-end title sequence for Marvel hit’s feature film.
Axis Animation completes compositing for the opening sequence for Microsoft’s ‘Halo 5: Guardians’ Xbox game using Blackmagic Design’s Fusion Studio.
IO Entertainment head and previs supervisor Brad Blackbourn describes how director Sam Mendes used previs for action sequence planning and more on the latest James Bond franchise film.
Awards show and international conference for 3D animation & still, visual effects and visualization moving to Munich for 20th anniversary edition.
Dedicated iOS app for web-based review and approval tool Frankie brings all the collaborative, cloud-based functionality of Frankie to the palm of your hand.
Photoreal short derived from an old Japanese folk tale employs physical sets built in the duo’s living room augmented with CG creatures and extensions crafted using Autodesk Maya and Mudbox and rendered in Chaos Group’s V-Ray.
Inaugural Visionary Vanguard Award to be accepted by ILM Senior Visual Effects Supervisor John Knoll at the 27th Annual Producers Guild Awards on Saturday, January 23.
Newly appointed Executive Vice President & General Manager to work on long-term company goals and new initiatives with a primary focus on production, sales and marketing.
Forty-third International Conference and Exhibition on Computer Graphics and Interactive Techniques will be held July 24-28, 2016 in Anaheim, California.
New behind-the-scenes featurette provides a detailed look at Daisy Ridley's Rey, with commentary from Ridley and John Boyega.
Visual effects for the long-awaited sequel to Ang Lee’s Oscar-winning ‘Crouching Tiger, Hidden Dragon’ are led by production VFX supervisor is Mark Stetson, with VFX provided by Zoic, Pixomondo and Lola.
Universal and Legendary’s holiday horror-comedy ‘Krampus’ outperforms expectations in its North American debut, grossing $16 million from 2,902 theaters to come in at number two behind ‘The Hunger Games: Mockingjay -- Part 2.’
Led by veteran editor and Micah Scarpelli and VFX artist Joe Wenkoff, Uppercut is a full-service post-production company offering world-class editorial and visual effects services.
Led by VFX supervisor Jeff Campbell and supervising VFX producer George Macri, SpinVFX delivers nearly 150 shots to help bring to life the remarkable true story of the 33 survivors of the Chilean mine disaster.
Australian visual effects studio standardizes on Solid Angle’s Arnold as its primary production renderer with a dramatic increase in efficiency.