LOOK Effects produces over 250 VFX shots visual effects for Draft Day, the new Kevin Costner film directed by Ivan Reitman.
Category: Visual Effects
Visual effects house Method Studios was lead vendor for the futuristic action adventure, creating a variety of complex environments, set extensions, digital doubles and CG characters used throughout the film.
Canadian Eric Clément joins the Cinesite team in Montréal as CG Supervisor, bringing a wealth of experience and a strong reputation in the visual effects industry.
Formerly known as 1.1 VFX, the expanding visual effects and post boutique finds a new home at Bully Pictures.
Thinkbox Software launches Krakatoa C4D, the first version of its high-volume particle renderer for MAXON CINEMA 4D.
Bicoastal digital production and design studio Big Block produces a live-action shoot, virtual obstacle course and animated drone fleet for “Subaru WRX STI vs. the Drones.”
Conference on Animation, Effects, Games and Transmedia to spotlight virtual production in Gravity, Avatar 2 and more with speakers including Chris DeFaria, Tim Webber and Jon Landau.
Chaos Group will present a series of presentations at FMX 2014 to highlight improvements to V-Ray 3.0 for 3ds Max and Maya and show how V-Ray supports VFX students and independent filmmakers.
Double Negative announces the formation of new Feature Animation Division led by ex-DreamWorks Associate Producer Tom Jacomb.
Blackmagic Design announces DaVinci Resolve 11 at NAB 2014; this major update improves online editing features, adds new photographer-friendly color correction tools, on-set media management and much more.
ILM rebuilt the helicarrier for the latest Marvel blockbuster and it's the company's biggest model in history. Here's a sample of some of the stunning concept art, vfx progressions and final shots. All images © 2014 Marvel.
NVIDIA showcases ‘4K Your Way’ at NAB 2014, highlighting that their GPU technology powers over 150 solutions for broadcasters, VFX artists and post-production pros and supports demanding real-time 4K workflows.
Autodesk unveils Smoke 2015, the latest version of their professional video editing software, at NAB 2014; Smoke 2015 features 3D tracking, re-architected timeline FX workflow and a faster performance.
ILM rebuilds the helicarrier for the latest Marvel blockbuster and it's the company's biggest model in history.
Coming off the success of Sleepy Hollow, FOX signs Synaptic VFX as the key VFX vendor for their new series Hieroglyph.
At NAB 2014 eyeon announced the release of their new playback and production solution for 4K HFR up to 120 FPS Stereoscopic, eyeon Generation 4K.
Autodesk debuts the Flame 2015, the newest version of their comprehensive toolset for high-end visual effects and creative finishing, featuring new creative tools and support for 4K which helps deliver greater artistic control.
UK-based Union VFX re-creates Renaissance-era Florence for the second season of STARZ Original series Da Vinci’s Demons.
Galaxy 61 celebrates its 10th anniversary with a re-branding and a new website showcasing the company’s capabilities that are tailored to animation and VFX-driven projects with big ideas and small budgets.
MPC LA partners with Deutsch LA and RESET Director Johnny Green to launch a new campaign for HTC that unveils the new HTC One M8 smartphone with the help of Gary Oldman.
Universal Pictures debutes the first official trailer for Luc Besson's upcoming feature Lucy, starring Scarlett Johansson and Academy Award winner Morgan Freeman.