Full-service boutique’s animation, visual FX & motion graphics talent tapped to create a digital journey that brings the rich history of Kansas City’s iconic Union Station building to life.
Category: Visual Effects
Big Block creates 1,000 FPS interactive experience for Critical Mass and Nissan “Meet The Machines.”
A selection of images featuring all the animation and visual effects Oscar winners and nominees, starting from the pre-Oscar Academy lunch and panel discussions and culminating with backstage celebrations during ABC's telecast of The 87th Oscars at the Dolby Theatre in Hollywood, CA on Sunday, February 22, 2015! AWN congratulates the Oscar-winning teams behind 'Big Hero 6,' 'Feast' and 'Interstellar' as well as all the talented artists who worked on each of the nominated films.
New head of production with over 10 years of production experience joins MPC NY from Transistor Studios.
Sales and marketing specialist Thayer Jester joins award-winning production company specializing in virtual production and visual effects.
AWN goes backstage at the 87th annual Academy Awards with Oscar winners ‘Big Hero 6,’ ‘Feast’ and ‘Interstellar.’
Academy Award-winning films are part of the Lighting & Rendering track, a recurring series of presentations among the most relevant and successful components of every FMX program.
Industry veteran has worked on feature films including ‘Tron’ and ‘X-Men: First Class,’ and commercials for high-profile brands such as Nike, Microsoft, and Mercedes-Benz.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins the Oscar for Best Achievement in Visual Effects.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins over the scientific community by depicting the most accurate black hole ever seen.
New video showcases visual effects created for the final installment of Peter Jackson’s ‘Hobbit’ trilogy, including key battle sequences and the destruction of Laketown.
It’s that time of the year again where 6000 male, mostly-white, 60 year olds put on their bi-focal 3D glasses and try to figure out what visual effects are.
Sixteen-year ILM veteran will oversee all operational matters for Lucasfilm, ILM and Skywalker sound, reporting directly to Lucasfilm president Kathleen Kennedy and Walt Disney Studios president Alan Bergman.
Autodesk and Shotgun Software are CG tools of choice for all 5 Best VFX and 7 Best Picture Academy Award nominees.
Marvel’s Agent Carter marks the first time a Codex/ARRIRAW workflow has been used extensively in series television.
ArenaNet taps Axis and Director Stephen Donnelly to create a teaser trailer for the second installment of the multiplayer online role playing game.
Real-time 3D animation and cinematic rendering tool adds support for Substance, SpeedTree, PhysX and Indigo Render with 10x faster production speed.
Swedish team Brikk inspires culinary artistry in a new PSA blending sharp tabletop with cleverly delectable cuisine design for Wolf Ranges.
New spot from biscuit filmworks directorial duo The Freise Brothers employs 3D modeling software and compositing techniques.
First-of-its-kind specialized diploma program features industry-standard curriculum implementing the process and pipeline used at MPC and other Vancouver-area visual effects studios.