Category: Visual Effects
Method’s VFX and animation supervisors discuss the creation of the maze environment and Griever characters for Wes Ball’s hit YA adaptation.
Framestore delivers more than 700 VFX shots for Universal’s ‘Dracula Untold,’ including CG environments, CG battle scenes and millions of CG bats, as well as look development and character animation for the film’s central character, Vlad Tepes, also known as Vlad the Impaler.
If you ask a VFX artist what the ultimate goal was with their work, they might respond they would like it to be invisible.
AJA Video Systems' Io 4K supported 4K playback for VFX review on director David Fincher’s ‘Gone Girl.’
humble and Sorrel Bae use 3D project mapping to create the graceful choreography of a pod of humpback whales in “Projections,” a new spot for Pacific Life.
Award-winning filmmaker Tomek Bagiński’s ‘Ambition,’ starring Aidan Gillen and Aisling Franciosi, to premiere in BFI sci-fi program, “Days of Fear and Wonder,” on October 24th.
New entity will operate as a hybrid company, offering high-caliber animation and visual effects services in addition to developing, producing and co-producing original content with partners worldwide.
Appointment comes alongside the recent hire of Zak Thornborough as Executive Producer of MPC Creative in the U.S.
FX Lead Joe Thornley Heard and Executive Producer Laetitia Beaujard Ramoo join Bristol and Glasgow-based visual effects studio.
Academy Award-winning VFX artists, cinematographers and production designers headline Visual Imagery panel; industry leaders host 14 interactive business roundtables.
VFX Supervisor Zave Jackson overseeing visual effects for the third and final installment in the trilogy.
Arsenal FX produces dramatic, weather-driven visual effects for a new 30-second spot for Lexus, “The Point of All-Weather Drive.”
The Visual Effects Society is now accepting submissions for the 13th Annual VES Awards Show, recognizing visual effects in film, television, special venue, games & animation.
The Cinefex blog takes an in-depth, behind-the-scenes look at the visual effects created for LAIKA’s newest animated feature, ‘The Boxtrolls.’
Artists rely on Qube! to manage renders on spots like Nike’s blockbuster ad for the World Cup, “The Last Game.”
Free to download and available now for iOS and Android, MassMarker allows users to track and interact with any mobile device on set.
‘The Bridge’ program is a collaboration between Animation Skillnet, the Guinness Enterprise Centre, Dublin BIC and creative industry players such as Treehouse Republic, Windmill Lane and Piranha Bar.
WIZZdesign helps Peugot create ‘The Legend Returns,’ a photoreal spot for the Peugeot 208 GTI which pays tribute to the legendary 1984 film, ‘Bombardier.’
Adapted from the Seth Grahame-Smith’s novel of the same name, ‘Pride and Prejudice and Zombies’ combines Jane Austen’s classic 1813 novel with elements of modern zombie fiction.
Team Detroit taps King and Country to produce “9 to 5’ers,” a dynamic spot for the 2015 Ford Transit.
Counting down to the 2014 VIEW Conference kick off October 14, 2014, we look back at some of the great key speaker interviews from past editions.