Working under Creative Director/VFX Supervisor John Bair, New York-based Phosphene completes effects work and adapts the 20th Century Fox logo for ‘The Fault in Our Stars,’ starring Shailene Woodley, Ansel Elgort, Laura Dern, Sam Trammell, Nat Wolff, and Willem Dafoe.
Category: Visual Effects
London-based visual effects house completes effects for major action sequence in the latest Tom Cruise sci-fi action thriller, ‘Edge of Tomorrow.’
Digital workflow management tool saves production time and money, affording complete control over digital assets.
The VFX supervisor discusses how MPC helped director Gareth Edwards bring the iconic monster to the big screen.
Stereo correction toolset gets massive overhaul, bringing higher quality results and improved workflows.
Warner Bros. delays the Andy and Lana Wachowski movie ‘Jupiter Ascending’ from July 18 to February 6, 2015.
Design agency HUSH creates an artistic and immersive way for media executives to experience the NewFront debut of ‘The New York Times.’
DNA directing team Big TV and production company Black Label deliver a breathtaking new music video for David Gray’s new single, “Back in the World.”
VFX legend and seven-time Academy Award winner Richard Edlund is appointed to the board of Devil & Demon Strategy.
Previs supervisor Austin Bonang explains the extensive use of previsualization on Bryan Singer's latest installment of the X-Men franchise.
MPC’s visual effects supervisor discusses the challenges of bringing Bryan Singer’s critically acclaimed film to the screen.
Psyop teams with Samsung Galaxy and Cheil Worldwide to deliver the action-packed four-minute epic, ‘The Training,’ which has already reached nearly 40 million views on YouTube.
Visual-effects company Sony Pictures Imageworks plans to moves its Los Angeles headquarters to Vancouver.
Co-directed by Michelle Dougherty and Karin Fong, Imaginary Forces creates an eloquent new commercial for Sapporo.
a52 and Rock Paper Scissors deliver a series of powerful and inspiring commercials for the new BMW i8 in collaboration with Director Gus Van Sant
As the lead VFX company for ‘X-Men: Days of Future Past,’ MPC delivers futuristic sequences, including creating the Sentinels from concept art through to final compositing, the X-Jet, Xavier’s virtual world, future environments and creating mutant effects.
Design & live action production studio BRKLY creates an action-packed promo that captures the spirit of the head-to-head competition series.
On-stage performer tracking, projection mapping, and giant inflatables captivate audiences at Miley Cyrus’ Bangerz show, Cirque du Soleil, and other worldwide tours.
Visual effects veterans move production-side and bring Shotgun with them to manage massive shot volume and streamline multi-vendor processes.
The Third Floor’s previs supervisor discusses the extensive use of previs, techvis and postvis on Sony’s latest superhero hit.
Visual effects supervisor Everett Burrell joins shade VFX; company recently completed projects for Jon Favreau’s ‘Chef,’ Sony’s ‘The Amazing Spider-Man 2,’ and Disney’s ‘Million Dollar Arm.’
Led by MPC VFX supervisor Guillaume Rocheron and VFX producer Philip Greenlow, the UK-based Moving Picture Company serves as the lead VFX studio bringing the iconic title creature to life in Warner Bros Pictures’ and Legendary Pictures’ ‘Godzilla.’