Category: Visual Effects
Leading visualization house Proof Inc. provides previs and postvis services to Universal Pictures’ Fast & Furious 6, as well as the production of 200 visual effects shots.
While everyone waits to see MPC's work on Man of Steel, World War Z and The Lone Ranger, the London-based visual effects company releases a breakdown of the effects it handled for the Oscar-winning Life of Pi.
A new featurette from Sony Pictures Imageworks goes behind-the-scenes of Disney’s Oz The Great and Powerful.
Visual effects studio MPC collaborates with Outsider and JWT to create Barry, a CG platypus for a new brand campaign aimed at targeting a younger audience for UK bank First Direct.
International VFX and design company Smoke & Mirrors names Jeff Stevens to serve as creative director at its New York office, and secures its first-ever representation in the Midwest, signing Matt Bucher and his company, Obsidian Reps.
Framestore NY provides rendered effects for Alex Gibney's latest documentary, We Steal Secrets: The Story of WikiLeaks.
Spiral Graphics releases the latest version of their seamless texture, animation, and HDRI environment map editor, Genetica 4.0.
Shapeshifter provides comprehensive finishing services, including final conforming, final color correction and visual effects for new episodes of Netflix series Arrested Development.
Cantina Creative relies on Maxon's Cinema 4D software to generate more than 100 2D and 3D visual effects shots that appear throughout the blockbuster Disney/Marvel Studios superhero sequel Iron Man 3.
Method Studios teams up with MJZ and director Nicolai Fuglsig on a new spot for Chrysler’s Dodge brand.
Fuel VFX contributes design-driven visual effects work for two sequences in the Marvel blockbuster Iron Man 3.
Visual effects house Method Studios announces the appointment of Chris Webb as Executive Producer of Method Chicago.
The Manhattan Edit Workshop announces an all-star lineup for the “Inside The Cutting Room: Sight, Sound and Story” event on June 8th, including LOOK Effects' Jeff Wozniak.
Visual effects, design and content company Gravity announces the formation of a new division, SCOUT, with the hire of three former Süperfad NY execs.
RE:Vision Effects releases RE:Match for Nuke and Fusion, with automatic color matching for multicam and stereo shoots
Digital Domain helps create the trailer for Activision and Bungie’s highly anticipated videogame, Destiny, in a 60-second spot directed by Jon Favreau and starring Breaking Bad’s Giancarlo Esposito.
Lucasfilm announces the promotion of John Knoll to Chief Creative Officer of Industrial Light & Magic (ILM), serving alongside ILM President, Lynwen Brennan.
thenewBlank creates a dynamic branding campaign for the tenth anniversary season of Fox’s “So You Think You Can Dance.”
Warner Bros. releases a new Pacific Rim featurette onto the web, alongside an action-packed television ad.