Pixel Magic completes over 100 visual effects shots for Sony Pictures Entertainment's feature ‘22 Jump Street,’ including a CG gantry crane and CG netting, CG octopus tentacles, and thousands of CG beach goers.
Category: Visual Effects
Previs supervisor Mark Nelson walks us through almost 18 months of previsualization on Rob Stromberg’s hit film.
New performance heights reached with GPU compute, real-time rendering, and enhanced character tools.
As part of its expanding roster of TV and feature projects, award-winning independent London VFX house creates the visual effects for Fox’s TV action-thriller ‘24: Live Another Day.’
In a message taped for fans, Guillermo del Toro announces that Pacific Rim 2 is officially in the works alongside a continuation of the comic-book series ‘Year Zero’ and a new animated series.
Alfonso Cuaron’s ‘Gravity’ is honored with five awards at the 40th installment of the Saturn Awards, hosted by the Academy of Science Fiction, Fantasy and Horror Films.
Based in Playa Vista, new facility offers 22,000 square feet, nine Red Epic cameras, QTake Video Assist System, four stereo rigs, extensive lens collection and DI projection theater.
Twentieth Century Fox releases a new behind-the-scenes featurette for ‘Dawn of the Planet of the Apes’ exploring the performance capture technology used by WETA Digital to transform actors into apes.
Prime Focus Limited announces the merger of its creative services subsidiary Prime Focus World and visual effects provider Double Negative; combined entity will be the world’s largest integrated VFX, 3D Conversion & Animation services company.
Creative agency and production company Stardust creates a new international campaign featuring soccer superstar Neymar Jr. for China's wildly popular messaging app WeChat.
Technicolor-owned creative studio MPC collects a prestigious Gold Lion at Cannes for its work on the game trailer for Assassins Creed “Black Flag: Defy.”
Less than a month ahead of the film’s release, Fox unleashes the final trailer for ‘Dawn of the Planet of the Apes.’
Led by VFX Supervisor Gary Brozenich and DFX Supervisor Matt Middleton, MPC delivers the finale sequence for ‘Edge of Tomorrow.’
Nexus Director Kibwe Tavares is named one of the top 20 young global directors at Saachi & Saachi YDA showcase, receiving the prize for Best Short Film for ‘Jonah’ at the CFP-E and SHOTS YDA awards.
As the company expands with new projects for television, Michelle Martin joins the Nvizible team in London’s Soho district.
Creative studio specializing in visual effects, motion graphics, and design teams with MTV to create new promo for drama series ‘Finding Carter.’
Blacklist directors Dvein take home an AICP award in the Design category for their short film ‘Magma,’ commissioned by Adobe for the launch of its Creative Cloud system.
MASTERSFX unleashes new vampires, aliens, and victims of the “Sudden Departure,” during “Summer of Monster Love 2014”; “True Blood,” “Falling Skies,” and “The Leftovers” to feature unique work of top FX house.
Digital Domain’s Kelly Port and Darren Hendler discuss the blood, sweat and motion capture work that went into the visual and digital effects of Maleficent.
Continuing the #GALAXY11 saga, Psyop teams with Cheil Worldwide to release ‘Galaxy 11: The Match’ for Samsung.
eyeon Software announces the much-anticipated update of their compositing engine Fusion 7, underscoring once again eyeon’s signature future-proofing architecture.
Autodesk is now accepting nominations for its 2014 Flame Award, celebrating the achievements of the most talented and skilled Flame artists in the world.