Framestore's London and Montreal teams deliver over 500 shots to help realize the Wachowski’s lavish and beautifully designed sci-fi universe, including CG hero characters, CG environments, digital doubles, and a host of CG space ships and planets, along with all manner of explosions, fireballs, shattering glass and liquid nano-technology.
Category: Visual Effects
Visual studio handles all aspects of new campaign from Team Detroit from concepting the approach to live-action production and VFX and post.
Short film narrated by Patton Oswalt is chock-full of visual effects both obvious and subtle, all powered by Red Giant technology.
Autodesk acquires Tweak’s image and sequence playback tool RV; Tweak and Shotgun teams to work together to advance review and collaboration technology.
Interstellar’ is given the award for outstanding special effects; ‘The Bigger Picture,’ by Chris Hees, Daisy Jacobs and Jennifer Majka, wins the prize for best British short animation.
In one of the best debuts ever for the month of February, Paramount and Nickelodeon Movies’ ‘The SpongeBob Movie: Sponge Out of Water’ soaks up $56 million for its domestic opening.
Hollywood-based VFX facility completes production on a new commercial for Chinese car manufacturer Qoros Automotive using Cospective’s Frankie and cineSync to help cross The Great Firewall.
Red Giant’s Magic Bullet Suite 12 delivers GPU-accelerated, real-time color correction and grading, 198 new Looks presets, Streamlined UI and UX, and an all-new Magic Bullet film.
Toronto-based visual effects shop provides feature-quality effects on a television budget with the use of Blackmagic Design’s Fusion Studio.
Nvizible is tapped to provide visual effects for Matthew Vaughn’s Kingsman: The Secret Service, in theaters February 13.
Conference on Animation, Effects, Games and Transmedia to explore the impact of immersive technologies on financing, content creation, distribution and viewing behavior across different platforms.
The Oscar-nominated VFX supervisor breaks down some of the key grand finale action on Marvel’s second ‘Captain America’ hit.
Independent VFX and design house promotes visual effects producer/compositing supervisor to newly-created post of Head of Operations and Strategy.
New role will see Walker lead the design of characters and environments across the London Integrated Advertising team’s CG work.
Oscar-nominated VFX supervisor discusses the challenges of creating two believable CG action heroes.
Visual effects festival, conference and job fair to include presentations on the invisible effects of ‘Birdman,’ ILM’s work on ‘Captain America: The Winter Soldier,’ the making of ‘Dawn of the Planet of the Apes,’ the miniature effects of ‘Interstellar,” and more.
Award-winning executive producer has worked with prominent directors including Traktor, Nicolai Fuglsig, Jake Scott, Stacy Wall, Dante Ariola and Harold Einstein on campaigns for leading brands such as Nike, Budweiser, Adidas, Target and Coca-Cola.
Media & Entertainment Track at GTC 2015 to highlight breakthroughs in GPU technology across broadcast, video, and filmmaking
Visual Effects Society affirms noted character company’s successful digital makeup effects techniques.