The director, who will be receiving the VES' 2014 Visionary Award, discusses the unique process of reverse-engineering his Oscar-contending blockbuster.
Category: Visual Effects
Former vice president of visual effects at 20th Century Fox to spearhead Gener8's expansion into growing VFX post production market.
Visual effects artists, innovators, industry leaders and celebrities -- including Pharrell Williams, Johnny Knoxville, and Patton Oswalt -- gather to celebrate outstanding VFX talent.
‘Monuments Men’ star says U.K. not only should return art treasures to Greece but VFX jobs to the U.S.
David&Goliath turns to Digital Domain to create a Matrix-worthy CG environment for the Super Bowl spot for Kia featuring Laurence Fishburne.
Studio 100 Film completes pre-sales for the new feature length films Maya The Bee – Movie, Vic The Viking – Movie, Heidi - Movie and Blinky Bill – Movie and announces a new VFX partner with full service media company M.A.R.K.13.
Zoic Studios partnered with Fox to create Street Chaos, the new promo for 24: Live Another Day, which aired during Super Bowl XLVIII.
First-ever Asian mecha live-action and animated feature film series leverages markerless iPi Motion capture software using Sony PS Eye game webcams.
Program highlights for FMX 2014 -- ‘A Realtime Experience’ -- are announced, including Transmedia projects such as the award-winning game franchise The Walking Dead, the evolution of PDI/DreamWorks, game favorites such as Beyond: Two Souls, and more.
V-Ray 3.0, the versatile lighting, shading, and rendering toolkit for 3ds Max from Chaos Group, delivers a powerful new feature set as well as being production-ready for teams of any size.
Jenny Fulle, Visual Effects Producer and Founder of The Creative-Cartel, and Rory McGregor, CEO of Cospective, announce an integration between Cospective’s cineSync review and approval technology and The Creative-Cartel’s JOUST digital workflow management system.
Taylor James seamlessly blends CGI and photography in Vertu Extraordinary, a new cross-media campaign for Vertu.
Cutting Edge delivers over 116 VFX shots for Stuart Beattie’s I, Frankenstein to create a specialized ‘demon descension’ effect.
Framestore’s three global advertising offices contribute to five huge campaigns broadcast to more than 100 million people during the Super Bowl on Sunday.
The Visual Effects Society announces its 2014 Board of Directors officers; Jeffrey A. Okun re-elected as Board Chair.
Hot on the heels of the success of the recent viral hit Honda “Hands,” Honda and Wieden+Kennedy London once again team up with Nexus directors Smith and Foulkes to create a captivating film introducing the newest member of the Civic family.
Bradley Munkowitz and Navarro Parker talk Joseph Kosinski, After Effects and excellence in UI design.
Visual effects workers plan a demonstration in Los Angeles next month tied to the Oscars to protest foreign tax subsidies.
The Mission visualizes perilous navigation through the muck of the Internet for Squarespace’s first-ever Super Bowl spot in the artfully chaotic “A Better Web Awaits,” directed by Anonymous Content’s Malcolm Venville.
Toolfarm to offer Rampant Drives with simplified drag-and-drop workflow that combines hundreds of elements on portable USB drives for a fraction of the cost.
For the fifth consecutive year, every film nominated for the Oscar for Best Visual Effects is powered by NVIDIA technology, with NVIDIA GPUs playing an integral role in pipelines for WETA, Framestore, ILM and Pixomondo.
The collaboration between Qualcomm, Ogilvy & Mather LA and Framestore's New York studio continues with an epic new Snapdragon spot, Unsung Hero.