Creative studio brings Robert Rugan’s short film to life by believably adding animated characters into a live-action world.
Category: Visual Effects
Jon Landau, James Cameron’s longtime producing partner at Lightstorm Entertainment, discusses the ‘Avatar’ sequels, new technologies, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Unmatched toolset for VFX/Games/Animation tracking and review brings world-class production pipelines to studios of all sizes.
Shotgun’s production management, review and tracking tools enable small team of VFX artists to complete the stop-motion film’s 300 shots in just over three months.
Full-service boutique’s animation, visual FX & motion graphics talent tapped to create a digital journey that brings the rich history of Kansas City’s iconic Union Station building to life.
Big Block creates 1,000 FPS interactive experience for Critical Mass and Nissan “Meet The Machines.”
A selection of images featuring all the animation and visual effects Oscar winners and nominees, starting from the pre-Oscar Academy lunch and panel discussions and culminating with backstage celebrations during ABC's telecast of The 87th Oscars at the Dolby Theatre in Hollywood, CA on Sunday, February 22, 2015! AWN congratulates the Oscar-winning teams behind 'Big Hero 6,' 'Feast' and 'Interstellar' as well as all the talented artists who worked on each of the nominated films.
New head of production with over 10 years of production experience joins MPC NY from Transistor Studios.
Sales and marketing specialist Thayer Jester joins award-winning production company specializing in virtual production and visual effects.
AWN goes backstage at the 87th annual Academy Awards with Oscar winners ‘Big Hero 6,’ ‘Feast’ and ‘Interstellar.’
Academy Award-winning films are part of the Lighting & Rendering track, a recurring series of presentations among the most relevant and successful components of every FMX program.
Industry veteran has worked on feature films including ‘Tron’ and ‘X-Men: First Class,’ and commercials for high-profile brands such as Nike, Microsoft, and Mercedes-Benz.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins the Oscar for Best Achievement in Visual Effects.
Christopher Nolan’s Oscar-nominated sci-fi drama ‘Interstellar’ wins over the scientific community by depicting the most accurate black hole ever seen.
New video showcases visual effects created for the final installment of Peter Jackson’s ‘Hobbit’ trilogy, including key battle sequences and the destruction of Laketown.
It’s that time of the year again where 6000 male, mostly-white, 60 year olds put on their bi-focal 3D glasses and try to figure out what visual effects are.
Sixteen-year ILM veteran will oversee all operational matters for Lucasfilm, ILM and Skywalker sound, reporting directly to Lucasfilm president Kathleen Kennedy and Walt Disney Studios president Alan Bergman.
Autodesk and Shotgun Software are CG tools of choice for all 5 Best VFX and 7 Best Picture Academy Award nominees.
Marvel’s Agent Carter marks the first time a Codex/ARRIRAW workflow has been used extensively in series television.
ArenaNet taps Axis and Director Stephen Donnelly to create a teaser trailer for the second installment of the multiplayer online role playing game.