Nominees for Best Animated Film are Disney’s ‘Big Hero 6,’ LAIKA’s ‘The Boxtrolls’ and Warner Bros.’ ‘The LEGO Movie.’
Category: Visual Effects
Twenty-year veteran has worked on fan-favorite franchises from Marvel such as Joss Whedon’s ‘The Avengers,’ Kenneth Branagh’s ‘Thor’ and Jon Favreau’s ‘Iron Man.’
New video provides highlights of nearly 900 visual effects shots created by Industrial Light & Magic with an international crew of more than 300 artists and staffers.
Two-time Emmy nominee is serving as VFX Supervisor for ‘Turn,’ the Revolutionary War series now in its second season on AMC.
Growing Montreal team to spearhead visual effects for Lionsgate’s forthcoming supernatural action film, ‘The Last Witch Hunter.’
The marketing push for Marvel Entertainment’s forthcoming ‘Ant-Man’ feature begins in earnest with a new ant-sized poster, an Entertainment Weekly cover, and the first full-blown trailer.
The visual effects supe and second unit director discusses his work on Michael Bay’s biggest ‘Transformers’ film yet.
Led by VFX supervisor Mark Stetson, Vancouver and Los Angeles studios craft 155 shots for Tim Burton’s latest live action feature.
Building on the success of the award-winning “Barry the Platypus” ads, new campaign features CG creatures developed by MPC.
Re-invention of Gerry and Sylvia Anderson’s much-beloved series will be produced with effects from Weta Workshop using a mix of CGI animation and live-action miniature sets.
Latest episode of web series produced by PBS Digital recreates the Millennium Falcon scene from the trailer for ‘Star Wars: The Force Awakens.’
VFX supervisor Doug Bloom breaks down the final battle of Brett Ratner’s mythological action-adventure.
Cover of the January issue of Fortune magazine features the first close-up image of the new Millennium Falcon from J.J. Abrams’ ‘Star Wars: The Force Awakens.’
Disney’s ‘Frozen,’ Warner Bros.’ ‘Gravity’ and Paramount’s ‘The Wolf of Wall Street’ top the list of most pirated films in 2014.
Peter Jackson's ‘The Hobbit: The Battle of the Five Armies’ once again rules the North American box office with $54.5 million for the four-day weekend; the New Line and MGM tentpole is on track to eventually cross $1 billion.
‘Fast & Furious’ director replaces Roberto Orci, who exited the project in early December but will still serve as producer.
MPC completes 250 shots for Shawn Levy’s ‘Night at the Museum: Secret of the Tomb, including the creation of a variety of characters, digi-doubles and CG environments.
Led by previs supervisor Eric Benedict, visualization house provides extensive previs and postvis services to 20th Century Fox’s latest release.
Peter Jackson's ‘The Hobbit: The Battle of the Five Armies’ opens to a massive $90.6 million in North America, while new entries ‘Night at the Museum: Secret of the Tomb’ and ‘Annie’ both suffer soft starts heading into the year-end holidays.
Ubisoft taps Puppetworks Studios to create 13 minutes of full CG cutscenes for their new game ‘The Crew.’