Category: Visual Effects
A trailer is released for a new documentary filmed on location at Rhythm & Hues Studios during the weeks following the company’s devastating bankruptcy.
Industrial Light & Magic prepares to launch a new feature visual effects facility in central London with plans to serve as the base of operations for Star Wars Episode VII in addition to other feature productions.
Prime Focus World serves as solve visual effects provider for director Mark Waters’ Vampire Academy, delivering over 500 VFX shots for the film.
MPC completes more than 550 shots for Disney’s The Lone Ranger, ranging from full CG canyons, caves and Comanche attacks to CG trains, horses, birds, arrows, fire and scorpions.
The director, who will be receiving the VES' 2014 Visionary Award, discusses the unique process of reverse-engineering his Oscar-contending blockbuster.
Former vice president of visual effects at 20th Century Fox to spearhead Gener8's expansion into growing VFX post production market.
Visual effects artists, innovators, industry leaders and celebrities -- including Pharrell Williams, Johnny Knoxville, and Patton Oswalt -- gather to celebrate outstanding VFX talent.
‘Monuments Men’ star says U.K. not only should return art treasures to Greece but VFX jobs to the U.S.
David&Goliath turns to Digital Domain to create a Matrix-worthy CG environment for the Super Bowl spot for Kia featuring Laurence Fishburne.
Studio 100 Film completes pre-sales for the new feature length films Maya The Bee – Movie, Vic The Viking – Movie, Heidi - Movie and Blinky Bill – Movie and announces a new VFX partner with full service media company M.A.R.K.13.
Zoic Studios partnered with Fox to create Street Chaos, the new promo for 24: Live Another Day, which aired during Super Bowl XLVIII.
First-ever Asian mecha live-action and animated feature film series leverages markerless iPi Motion capture software using Sony PS Eye game webcams.
Program highlights for FMX 2014 -- ‘A Realtime Experience’ -- are announced, including Transmedia projects such as the award-winning game franchise The Walking Dead, the evolution of PDI/DreamWorks, game favorites such as Beyond: Two Souls, and more.
V-Ray 3.0, the versatile lighting, shading, and rendering toolkit for 3ds Max from Chaos Group, delivers a powerful new feature set as well as being production-ready for teams of any size.
Jenny Fulle, Visual Effects Producer and Founder of The Creative-Cartel, and Rory McGregor, CEO of Cospective, announce an integration between Cospective’s cineSync review and approval technology and The Creative-Cartel’s JOUST digital workflow management system.
Taylor James seamlessly blends CGI and photography in Vertu Extraordinary, a new cross-media campaign for Vertu.
Cutting Edge delivers over 116 VFX shots for Stuart Beattie’s I, Frankenstein to create a specialized ‘demon descension’ effect.
Framestore’s three global advertising offices contribute to five huge campaigns broadcast to more than 100 million people during the Super Bowl on Sunday.
The Visual Effects Society announces its 2014 Board of Directors officers; Jeffrey A. Okun re-elected as Board Chair.
Hot on the heels of the success of the recent viral hit Honda “Hands,” Honda and Wieden+Kennedy London once again team up with Nexus directors Smith and Foulkes to create a captivating film introducing the newest member of the Civic family.
Bradley Munkowitz and Navarro Parker talk Joseph Kosinski, After Effects and excellence in UI design.