VFX Supervisor Zave Jackson overseeing visual effects for the third and final installment in the trilogy.
Category: Visual Effects
Arsenal FX produces dramatic, weather-driven visual effects for a new 30-second spot for Lexus, “The Point of All-Weather Drive.”
The Visual Effects Society is now accepting submissions for the 13th Annual VES Awards Show, recognizing visual effects in film, television, special venue, games & animation.
The Cinefex blog takes an in-depth, behind-the-scenes look at the visual effects created for LAIKA’s newest animated feature, ‘The Boxtrolls.’
Artists rely on Qube! to manage renders on spots like Nike’s blockbuster ad for the World Cup, “The Last Game.”
Free to download and available now for iOS and Android, MassMarker allows users to track and interact with any mobile device on set.
‘The Bridge’ program is a collaboration between Animation Skillnet, the Guinness Enterprise Centre, Dublin BIC and creative industry players such as Treehouse Republic, Windmill Lane and Piranha Bar.
WIZZdesign helps Peugot create ‘The Legend Returns,’ a photoreal spot for the Peugeot 208 GTI which pays tribute to the legendary 1984 film, ‘Bombardier.’
Adapted from the Seth Grahame-Smith’s novel of the same name, ‘Pride and Prejudice and Zombies’ combines Jane Austen’s classic 1813 novel with elements of modern zombie fiction.
Team Detroit taps King and Country to produce “9 to 5’ers,” a dynamic spot for the 2015 Ford Transit.
Counting down to the 2014 VIEW Conference kick off October 14, 2014, we look back at some of the great key speaker interviews from past editions.
Christopher Nolan's highly anticipated sci-fi epic will be released in 70mm IMAX, 70mm and 35mm formats on Wednesday, November 5th, two days ahead of its nationwide release.
Live-action/CG hybrid is written by Joe Henderson and has ‘Ninjago’ helmer Charlie Bean attached to direct.
Southpaw Technology announces the launch of five new TACTIC apps, all of which had been announced at SIGGRAPH 2014.
With over 12 years experience grading commercials, films and music videos, colorist Matthieu Toullet joins MPC London.
Method Studios was involved in the creation of 150 character shots and 380 environment shots for the YA adaptation.
An English paratrooper crash-lands in a forest, leaving him wounded. The injured soldier meets a creature that tries its best to help him, but his ordeal is just beginning.
At the After Effects World Conference, taking place September 26 – 28, MAXON will be offering sessions to explore close integration between MAXON Cinema 4D and Adobe After Effects.