VFX Producer Sophie Orde joins Framestore’s film department, where she has been hired to run the production for Universal’s ‘Dracula Untold.’
Category: Visual Effects
Framestore's Oliver Bersey helps director Matt Lossoso to tour through Doctor Who history in the trailer for the 50th anniversary special airing November 23.
CVMP Conference to explore cutting-edge advances in post production technology; speakers include Tim Webber, VFX Supervisor on ‘Gravity.’
Disney releases concept art for the 'Avatar' installation underway at the Animal Kingdom theme park located at the Walt Disney World Resort in Orlando, Florida.
Chris Meledandri to give keynote address at 2013 VES Summit; Andrew Merkin, Head of Special Projects and Transmedia at Mirada Studios, and Max Michael, Head of Business Development, Asia at UTA, among highlighted Speakers.
Nvizible completes over 180 visual effects shots for Sony Pictures’ Captain Phillips, including CG helicopters, airplanes and seascapes.
CafeFX co-founder Jeff Barnes partners with Portland-based digital production and animation studio Bent Image Lab to oversee the company’s new Digital Media Group.
The deadline for submissions to the 12th Annual VES Awards honoring the most outstanding visual effects in film, television, animation, commercials, special venue projects and video games is November 22, 2013.
Athena Studios and the Bay Area chapter of the Visual Effects Society restore Black Angel, legendary Star Wars-era short film believed missing for over 30 years.
The Visual Effects Society names Academy Award winner John Dykstra recipient of VES Lifetime Achievement Award.
Brickyard VFX partners with Interrogate and Goodby, Silverstein & Partners on the new spot Big Is On for the 2013-2014 NBA season.
ABC announces that it has picked up a full season of the new hit drama, Marvel’s Agents of S.H.I.E.L.D.
Leading up to VIEW 2013, VIEWFest kicks off with the Italian premiere of Sony’s Cloudy with a Chance of Meatballs 2 and directors Cody Cameron and Kris Pearn.
Reel FX completes 140 visual effects shots, titles, main-on-ends, and the epilogue for Playtone and Exclusive Media’s Parkland.
Rampant Design Tools announces the availability of its newest library of Drag-and-Drop Textures, MonsterFX: Undead.
UK-based Union Visual Effects relocates to a larger facility in London’s Soho district; new studio also houses an advanced review theatre, featuring a 4K projector.
The UK’s Creative Skillset training body issues a call to employers and professionals across VFX, animation, film, TV, computer games and interactive media to register now for its next industry survey, taking place October 14-20.
Watch Method Studios Chief Creative Officer Dan Glass talk about his work on Cloud Atlas at VIEW 2012.
ILM's Chief Creative Officer and Senior Visual Effects supervisor John Knoll kicks off the VIEW Conference on October 15.
The Visual Effects Society announces business roundtables for 2013 VES Summit; Women in VFX, Facilities of the Future, Crowd Sourcing Funds, Virtual Studios and The Art of the Deal in Content Creation among 12 featured interactive sessions.
Framestore's Tim Webber explains the unique workflow in Alfonso Cuaron's space adventure about floating in zero gravity.