The Avengers reassemble to defeat James Spader as Ultron, a terrifying technological villain hell-bent on human extinction.
Category: Visual Effects
BENT Image Lab's impressive roster of commercial work, post/VFX expertise and evolution into the digital arts have made them a perfect addition to Hilly Reps repertoire of industry talent.
Senior Colorist upped to Vice President of Business Strategy for the post production and VFX company’s Vancouver office, reporting to Encore Executive Vice President Bill Romeo.
New offering brings powerful node-based VFX, Editorial and Finishing into a new single studio application, as well as providing core upgrades to the advanced compositing workflows of NUKE and NUKEX.
Digital Domain 3.0 parent company Digital Domain Holdings Limited enters into a 10-year agreement with TNT Production to produce 3D virtual performance holograms for concerts, films and other media.
For the latest episode of ‘Doctor Who,’ avisVFX provides 66 VFX shots including a new multi-dimensional menace.
The Corrie-loving snail, whose life is transformed by Freesat’s Freetime service, is created by Framestore for a new campaign by TellyJuice and director David Skinner.
‘Ratatouille’ star returns for fourth hosting gig at the Visual Effects Society’s annual awards gala.
Digital Domain 3.0 CEO Daniel Seah named executive director and CEO of parent company Digital Domain Holdings Limited.
Allegorithmic’s award-winning particle painter adds new features for high-res support, custom shaders and is now available on Steam and Unity Asset Store.
Method’s VFX and animation supervisors discuss the creation of the maze environment and Griever characters for Wes Ball’s hit YA adaptation.
Framestore delivers more than 700 VFX shots for Universal’s ‘Dracula Untold,’ including CG environments, CG battle scenes and millions of CG bats, as well as look development and character animation for the film’s central character, Vlad Tepes, also known as Vlad the Impaler.
If you ask a VFX artist what the ultimate goal was with their work, they might respond they would like it to be invisible.
AJA Video Systems' Io 4K supported 4K playback for VFX review on director David Fincher’s ‘Gone Girl.’
humble and Sorrel Bae use 3D project mapping to create the graceful choreography of a pod of humpback whales in “Projections,” a new spot for Pacific Life.
Award-winning filmmaker Tomek Bagiński’s ‘Ambition,’ starring Aidan Gillen and Aisling Franciosi, to premiere in BFI sci-fi program, “Days of Fear and Wonder,” on October 24th.
New entity will operate as a hybrid company, offering high-caliber animation and visual effects services in addition to developing, producing and co-producing original content with partners worldwide.
Appointment comes alongside the recent hire of Zak Thornborough as Executive Producer of MPC Creative in the U.S.
FX Lead Joe Thornley Heard and Executive Producer Laetitia Beaujard Ramoo join Bristol and Glasgow-based visual effects studio.
Academy Award-winning VFX artists, cinematographers and production designers headline Visual Imagery panel; industry leaders host 14 interactive business roundtables.
VFX Supervisor Zave Jackson overseeing visual effects for the third and final installment in the trilogy.
Arsenal FX produces dramatic, weather-driven visual effects for a new 30-second spot for Lexus, “The Point of All-Weather Drive.”