V-Ray 3.0, the versatile lighting, shading, and rendering toolkit for 3ds Max from Chaos Group, delivers a powerful new feature set as well as being production-ready for teams of any size.
Category: Visual Effects
Jenny Fulle, Visual Effects Producer and Founder of The Creative-Cartel, and Rory McGregor, CEO of Cospective, announce an integration between Cospective’s cineSync review and approval technology and The Creative-Cartel’s JOUST digital workflow management system.
Taylor James seamlessly blends CGI and photography in Vertu Extraordinary, a new cross-media campaign for Vertu.
Cutting Edge delivers over 116 VFX shots for Stuart Beattie’s I, Frankenstein to create a specialized ‘demon descension’ effect.
Framestore’s three global advertising offices contribute to five huge campaigns broadcast to more than 100 million people during the Super Bowl on Sunday.
The Visual Effects Society announces its 2014 Board of Directors officers; Jeffrey A. Okun re-elected as Board Chair.
Hot on the heels of the success of the recent viral hit Honda “Hands,” Honda and Wieden+Kennedy London once again team up with Nexus directors Smith and Foulkes to create a captivating film introducing the newest member of the Civic family.
Bradley Munkowitz and Navarro Parker talk Joseph Kosinski, After Effects and excellence in UI design.
Visual effects workers plan a demonstration in Los Angeles next month tied to the Oscars to protest foreign tax subsidies.
The Mission visualizes perilous navigation through the muck of the Internet for Squarespace’s first-ever Super Bowl spot in the artfully chaotic “A Better Web Awaits,” directed by Anonymous Content’s Malcolm Venville.
Toolfarm to offer Rampant Drives with simplified drag-and-drop workflow that combines hundreds of elements on portable USB drives for a fraction of the cost.
For the fifth consecutive year, every film nominated for the Oscar for Best Visual Effects is powered by NVIDIA technology, with NVIDIA GPUs playing an integral role in pipelines for WETA, Framestore, ILM and Pixomondo.
The collaboration between Qualcomm, Ogilvy & Mather LA and Framestore's New York studio continues with an epic new Snapdragon spot, Unsung Hero.
SPARK FX and 3D [FWD] merge into SPARK [FWD], bringing together leading industry experts with professionals, students and film fans for a one of a kind, five-day event.
Synaptic VFX completes production of visual effects for the first season of the new hit FOX TV series, Sleepy Hollow, including set extensions, fluid simulations, head removals and CG prosthetics.
In a cost-cutting move, Sony Pictures Imageworks is transferring a portion of the staff from its Los Angeles HQ to its studio in Vancouver, B.C.
The International 3D and Advanced Imaging Society announces its top nominated 3D movies for the 2014 Creative Arts Awards Ceremony to be held January 28th at Warner Bros. Studios.
VFX producer Andrew Kramer talks 'Star Trek Into Darkness' title sequences and how Adobe After Effects and Element 3D were central to their production.
Disney's animated fairytale adaptation Frozen is given the award for Best Animated Feature and Best Original Song for “Let It Go,” at the Critics' Choice Movie Awards.
Cinesite announces plans to open in Montréal, greatly expanding its capacity and international presence.