Category: Visual Effects
Bradley Munkowitz and Navarro Parker talk Joseph Kosinski, After Effects and excellence in UI design.
Visual effects workers plan a demonstration in Los Angeles next month tied to the Oscars to protest foreign tax subsidies.
The Mission visualizes perilous navigation through the muck of the Internet for Squarespace’s first-ever Super Bowl spot in the artfully chaotic “A Better Web Awaits,” directed by Anonymous Content’s Malcolm Venville.
Toolfarm to offer Rampant Drives with simplified drag-and-drop workflow that combines hundreds of elements on portable USB drives for a fraction of the cost.
For the fifth consecutive year, every film nominated for the Oscar for Best Visual Effects is powered by NVIDIA technology, with NVIDIA GPUs playing an integral role in pipelines for WETA, Framestore, ILM and Pixomondo.
The collaboration between Qualcomm, Ogilvy & Mather LA and Framestore's New York studio continues with an epic new Snapdragon spot, Unsung Hero.
SPARK FX and 3D [FWD] merge into SPARK [FWD], bringing together leading industry experts with professionals, students and film fans for a one of a kind, five-day event.
Synaptic VFX completes production of visual effects for the first season of the new hit FOX TV series, Sleepy Hollow, including set extensions, fluid simulations, head removals and CG prosthetics.
In a cost-cutting move, Sony Pictures Imageworks is transferring a portion of the staff from its Los Angeles HQ to its studio in Vancouver, B.C.
The International 3D and Advanced Imaging Society announces its top nominated 3D movies for the 2014 Creative Arts Awards Ceremony to be held January 28th at Warner Bros. Studios.
VFX producer Andrew Kramer talks 'Star Trek Into Darkness' title sequences and how Adobe After Effects and Element 3D were central to their production.
Disney's animated fairytale adaptation Frozen is given the award for Best Animated Feature and Best Original Song for “Let It Go,” at the Critics' Choice Movie Awards.
Cinesite announces plans to open in Montréal, greatly expanding its capacity and international presence.
Framestore, the British VFX company behind box office hits Gravity and Iron Man 3, expands its business presence in North America, deploying high performance, end-to-end Dell solutions in support of current, big-budget projects like RoboCop and Edge of Tomorrow.
Among stiff competition, Framestore is nominated for the Oscar for Best Visual Effects for its work on Alfonso Cuarón’s Gravity.
MPC’s work on Disney’s The Lone Ranger is recognized with an Oscar nomination for Visual Effects at the 86th Academy Awards.
The VFX Association of Ireland is formed by the country’s four biggest VFX suppliers: Windmill Lane, Screen Scene, Egg Post Production and Piranha Bar.
Culver City-based visual effects house Zoic Studios’ co-founder/creative director Loni Peristere helms a pulse-quickening alpine escapade via Bandito Brothers for the 30-second “X-TRAIL,” for Nissan.
MPC completes 250 shots on Universal Pictures’ 47 Ronin, working on a wide range of effects from a fully CG character to grand environments.
Ending weeks of speculation, China announced today it will formally relax polygon count restrictions on all CG models.