Led by VFX Supervisor Gary Brozenich and DFX Supervisor Matt Middleton, MPC delivers the finale sequence for ‘Edge of Tomorrow.’
Category: Visual Effects
Nexus Director Kibwe Tavares is named one of the top 20 young global directors at Saachi & Saachi YDA showcase, receiving the prize for Best Short Film for ‘Jonah’ at the CFP-E and SHOTS YDA awards.
As the company expands with new projects for television, Michelle Martin joins the Nvizible team in London’s Soho district.
Creative studio specializing in visual effects, motion graphics, and design teams with MTV to create new promo for drama series ‘Finding Carter.’
Blacklist directors Dvein take home an AICP award in the Design category for their short film ‘Magma,’ commissioned by Adobe for the launch of its Creative Cloud system.
MASTERSFX unleashes new vampires, aliens, and victims of the “Sudden Departure,” during “Summer of Monster Love 2014”; “True Blood,” “Falling Skies,” and “The Leftovers” to feature unique work of top FX house.
Digital Domain’s Kelly Port and Darren Hendler discuss the blood, sweat and motion capture work that went into the visual and digital effects of Maleficent.
Continuing the #GALAXY11 saga, Psyop teams with Cheil Worldwide to release ‘Galaxy 11: The Match’ for Samsung.
eyeon Software announces the much-anticipated update of their compositing engine Fusion 7, underscoring once again eyeon’s signature future-proofing architecture.
Autodesk is now accepting nominations for its 2014 Flame Award, celebrating the achievements of the most talented and skilled Flame artists in the world.
Technicolor strikes a deal for an undisclosed amount to acquire Toronto-based visual effects studio Mr. X.
MPC Vancouver’s visual effects supervisor Seth Maury discusses the creation of an anti-heroine’s magical world.
Working under Creative Director/VFX Supervisor John Bair, New York-based Phosphene completes effects work and adapts the 20th Century Fox logo for ‘The Fault in Our Stars,’ starring Shailene Woodley, Ansel Elgort, Laura Dern, Sam Trammell, Nat Wolff, and Willem Dafoe.
London-based visual effects house completes effects for major action sequence in the latest Tom Cruise sci-fi action thriller, ‘Edge of Tomorrow.’
Digital workflow management tool saves production time and money, affording complete control over digital assets.
The VFX supervisor discusses how MPC helped director Gareth Edwards bring the iconic monster to the big screen.
Stereo correction toolset gets massive overhaul, bringing higher quality results and improved workflows.
Warner Bros. delays the Andy and Lana Wachowski movie ‘Jupiter Ascending’ from July 18 to February 6, 2015.
Design agency HUSH creates an artistic and immersive way for media executives to experience the NewFront debut of ‘The New York Times.’
DNA directing team Big TV and production company Black Label deliver a breathtaking new music video for David Gray’s new single, “Back in the World.”
VFX legend and seven-time Academy Award winner Richard Edlund is appointed to the board of Devil & Demon Strategy.
Previs supervisor Austin Bonang explains the extensive use of previsualization on Bryan Singer's latest installment of the X-Men franchise.