Category: Visual Effects
Construction begins on Legend3D’s new Los Angeles office which will feature RealD review theater, editorial suites and a technology lab, and is set to open in March of 2014.
Spin VFX takes home two awards from the 12th Annual VES Awards for their work on HBO’s Game of Thrones.
Under the supervision of Jon Neill, Cinesite completed visual effects for the Columbia Pictures/ 20th Century Fox’s film, The Monuments Men, directed by and starring George Clooney.
Oscar-winning VFX Supervisor Rob Legato and Brainstorm Digital use mocha visual effects tools on Martin Scorsese's Wolf of Wall Street.
Artists rely on LightWave 3D software to deliver stunning visual effects and CG for Kennedy Space Center Special Venue Project which won “Outstanding Visual Effects in a Special Venue Project” at the 2014 Visual Effects Society (VES) Awards.
Alfonso Cuarón’s 3D space epic Gravity leads last night’s BAFTA Film Awards with six wins, including the prize for Outstanding British Film.
Cinesite completes visual effects for RoboCop, adjusting the main character’s silhouette and adding internal mechanics to shoulders, neck, elbows and knees.
Framestore’s London and Montreal offices combine to deliver a full range of photo-real visual effects for Jose Padilha’s RoboCop reboot, encompassing more than 600 robot and bullet-filled shots.
VFX supervisor Nordin Rahhali discusses the challenges of rebuilding the hero of José Padilha’s new film.
yU+Co created 118 VFX shots in order to visualize the inner workings of a man/robot hybrid in the latest installment of the popular science fiction action franchise RoboCop.
Rock Paper Scissors and a52 deliver New World, a star-studded Super Bowl spot for Time Warner Cable.
With the general submissions deadline for SIGGRAPH 2014 only five days away, conference organizers issue a final call for entries.
A trailer is released for a new documentary filmed on location at Rhythm & Hues Studios during the weeks following the company’s devastating bankruptcy.
Industrial Light & Magic prepares to launch a new feature visual effects facility in central London with plans to serve as the base of operations for Star Wars Episode VII in addition to other feature productions.
Prime Focus World serves as solve visual effects provider for director Mark Waters’ Vampire Academy, delivering over 500 VFX shots for the film.
MPC completes more than 550 shots for Disney’s The Lone Ranger, ranging from full CG canyons, caves and Comanche attacks to CG trains, horses, birds, arrows, fire and scorpions.
The director, who will be receiving the VES' 2014 Visionary Award, discusses the unique process of reverse-engineering his Oscar-contending blockbuster.