BAFTA Award-winning boutique visual effects studio relies on Thinkbox Software's Deadline for scalable high-volume compute management across projects and locations.
The final film in Peter Jackson's epic ‘Hobbit’ trilogy arrives on Blu-ray and DVD from Warner Bros. Home Entertainment on November 17; extended edition features a 20-minute longer cut and more than nine hours of new special features.
Intensive 10-week Introduction to Compositing for Feature Films to be taught by RSP senior compositor Paul Kirwan using The Foundry’s NUKE.
Award-winning character animation and special effects house appoints longtime producer Scott Coulter as vice president & executive producer of visual effects.
Teaming with agency Heat and award-winning director Wayne McClammy of prodco hungry man, MPC LA’s team of world-renowned artists provides VFX and post services for a new trailer for EA’s ‘Madden NFL 16.’
Twenty scientific and technical achievements involving 11 distinct investigations are selected for further consideration for 2015 Academy Awards.
Illumination Entertainment's ‘Minions’ beats the lifetime totals of ‘Despicable Me 2’ ($975.5 million) and ‘The Lion King’ ($987.5 million) to become the third-highest-grossing animated film of all time worldwide.
District Judge Lucy Koh rejects the requests of Disney, DreamWorks, Pixar, Sony and other Hollywood studios to dismiss claims the companies violated antitrust laws by conspiring to suppress the wages of animation and VFX artists.
VFX supervisor Pete Bebb walks us through DNeg’s extensive work on robotic assassins, digital doubles and Arnold Schwarzenegger’s Guardian in the latest ‘Terminator’ franchise flick.
VFX supervisor Marten Larsson discusses how Digital Domain turned arcade characters Donkey Kong, Centipede and PacMan into Earthly invaders in Columbia Pictures’ new action comedy.
Olson’s award-winning work has been created in partnership with some of the world’s top entertainment brands including Sony, Warner Bros., 20th Century Fox, Screen Gems, EA, THQ and Square Enix.
VES guidelines for the usage and release of work-for-hire materials presented as part of a demo reel portfolio by VFX facilities and practitioners are aimed at providing reasonable access for artists to showcase their work while protecting the ownership rights of studios and producers.
Other featured talks at VIEW 2015 to include Blue Sky’s Scott Carroll on ‘The Peanuts Movie,’ Pixar’s Kim White on ‘Inside Out’ and Sony’s Michael Kurinsky on production design for ‘Hotel Transylvania 2.’
VFX studio Luma helps Tool of North America create an immersive virtual driving experience, “A Drive Through Time,” for Infiniti.
‘Room Modes Calculator’ and ‘We Are Cubed’ among 48 finalists for Google’s 2015 Project Tango developer contest.
Former VP of Production at Sony Pictures Imageworks takes the helm of FuseFX’s Vancouver operation, which is currently producing visual effects for shows for FOX, A&E, Syfy and CBS.
Fully-integrated ray-traced rendering now available for The Foundry's industry-standard compositing tool.
Stars and filmmakers of upcoming Disney, Marvel Studios and Lucasfilm movies featured at Saturday’s live-action event.
A 30-year industry veteran, Welch has extensive experience in Visual Effects and Production management, and knows the entertainment business on a ground-up operational and financial basis.
Universal's N.W.A. biopic ‘Straight Outta Compton’ leads the pack at the North American box office with a $60.2 million debut, helping to push Universal past the $2 billion mark domestically.
Beijing’s BaseFX founder and CEO Chris Bremble discusses the process and challenges of producing animation and visual effects for the most successful feature film in Chinese history.
Mytherapy founder and chief colorist Dado Valentic worked closely with cinematographer Peter Hannan to develop the look and color of the new film directed by Monty Python’s Terry Jones and co-starring Kate Beckinsale and the late Robin Williams.