Lola VFX supervisor Trent Claus talks about capturing Paul Bettany’s performance as Vision in Marvel’s latest blockbuster movie.
VFX house Digital Domain is honored at the 2015 AICP Awards for Best Visual Effects for its work on the Destiny “Become Legend” commercial.
Immersive “through-the-ages” ad campaign launching the all-new Honda HR-V Crossover includes two new spots, ‘Give and Take’ and ‘Great Thinking Inside.’
Leading DI house colorist Stephen Nakamura employs Blackmagic Design’s DaVinci Resolve for D-Cinema and Dolby Vision color grades for director Brad Bird’s sci-fi adventure ‘Tomorrowland.’
Project continues Disney's recent trend of remaking its animated classics into live-action films, beginning with ‘Maleficent’ and ‘Cinderella,’ and now including ‘Mulan,’ ‘Winnie The Pooh,’ ‘The Jungle Book,’ ‘Beauty and the Beast,’ ‘Dumbo’ and a new movie starring ‘Peter Pan’s Tinker Bell.
Industrial Light & Magic helps Iron Man handle The Incredible Hulk with a new armoured suit in Marvel’s ‘Avengers: Age of Ultron.’
Does George Miller’s latest ‘Mad Max’ film have the same “cyan/orange” look dogging so many recent big action movies?
Non-profit organization dedicated to the advancement and development of previs across disciplines including feature film, television, commercials, games, visualization and architecture announces the first of many planned initiatives.
New television ad for Marvel’s ‘Ant-Man’ reveals additional footage, showcasing the film’s humorous edge but still packed with plenty of action.
‘Munchkin’ writer Will Widger to adapt Eisner Award-winning supernatural-themed ‘Lumberjanes’ comic for 20th Century Fox.
Game Design Engineering student Christian Sasso serves as lead engineer for virtual reality game ‘We R Ball’ for Google Cardboard using Unity and C#.
Ubisoft is showcasing new content from three of its highly-anticipated titles and announcing several exciting new games at the 2015 Electronic Entertainment Expo.
Former Walt Disney Studios executive joins entertainment advertising and marketing agency as Creative Producer.
Swedish VFX and animation studio Fido creates hundreds of 80s-tinged VFX shots with everything from green screen compositing to characters riding atop a Tyrannosaurus Rex for David Sandberg’s ‘Kung Fury.’
Burbank and Vancouver-based visual effects studio creates a CG river of ooze, CG ships, CG set extensions and more for the second season of WGN America’s first original series.
Warner Bros.’ disaster film leads the North American box office with a $53.2 million domestic debut, the highest solo opening ever for star Dwayne Johnson.
First unveiled at FMX 2015 by Chaos Group’s Christopher Nichols, Digital Emily 2 is now available to everyone as a free download for any non-commercial use.
Production company reteams with legacy client for five-part miniseries based on the Texas Revolution against Mexico and the birth of the Texas Rangers.
Led by David Sheldon-Hicks and Nick Glover, creative directorial team set to deliver effects for ‘Agent 47,’ Ridley Scott’s ‘The Martian’ and ‘Mission Impossible 5.’
David Sandberg’s Kickstarter-funded short features elaborate CG characters and environments created in 3ds Max, Maya and Mudbox
Academy Award-Winning digital production studio Digital Domain teams with immersive technology provider to form new joint venture aimed at creating cutting-edge interactive experiences.