Framestore's Tim Webber explains the unique workflow in Alfonso Cuaron's space adventure about floating in zero gravity.
Double Negative's Jody Johnson describes the unique VFX collaboration in Ron Howard's racing biopic.
Manitoba’s Opus VFX tackles 3-D electric bolts and Lady Liberty’s destruction in Metallica’s new music-driven feature film.
Mokko Studio brings vicious dog-like jackals to life, alongside some nasty looking mud demons, in David Twohy’s Riddick.
The next set of must / might see animated and visual effects-driven movies coming to theatres this fall.
Nordin Rahhali discusses the challenge of animating creatures for the latest Pitch Black sequel directed by David Twohy and starring Vin Diesel.
Fred Patten walks us through this beautiful collection of images from Neil Blomkamp’s new sci-fi action thriller.
The annual Jon Peddie Research SIGGRAPH Press Luncheon examined the benefits and challenges of a rapidly changing Media & Entertainment landscape.
VFX Supervisor Richard R. Hoover discusses our favorite little blue friends, plus a CG cat, warm-gray Naughties and a tight Paris location shoot.
After merging with The Foundry, can Luxology and their new release compete with Maya, Softimage and Lightwave?
Get a taste of what some of the industry’s leading technology developers have on tap for SIGGRAPH 2013, including product announcements and demonstrations, Exhibitor Tech Talks and User Group meetings.
A selection of four vfx progressions provided by Uncharted Territory's co-founder, Oscar®-winning visual effects supervisor Volker Engel.
Uncharted Territory stepped up its management skills for Roland Emmerich's latest terrorist action/adventure.
Cinesite VFX Supervisor Matt Johnson tells a tale of two “digital” cities in recreating key environments for Marc Forster’s new zombie film.
Summer's bountiful slate of animated and visual effects-laden feature films that you must, or hopefully, might, go see.
VFX production supervisor John "DJ" DesJardin discusses the secrets behind Zack Snyder's blockbuster reboot.
The Pixar senior scientist and lighting expert discusses the studio’s new physically-based lighting system, Global Illumination.
The veteran creative director and founder of Proof Inc. shares his insights on previs, postvis, pitchvis and the growing importance of visualization across the entire filmmaking process.