Kent Houston of Peerless Camera discusses some nifty gore and environments in the return of Mel Gibson in front of the camera.
Weta Digital describes the artistic challenge of pulling off Peter Jackson's vision for The Lovely Bones.
VFXWorld's Rick DeMott and Bill Desowitz sketch out a list of the hotly anticipated visual effects flicks of 2010.
Chas Jarrett takes us to the scene of the vfx for the latest incarnation of that famous Baker Street consulting detective.
John Paul Docherty and Richard Bain tell us what it was like conjuring new frontiers for The Imaginarium of Doctor Parnassus.
Michael Owens and Geoffrey Hancock discuss breakthrough virtual crowd work on the latest Clint Eastwood feature.
Dan Glass, Chris Townsend and Bjørn Mayer provide a behind-the-scenes glimpse inside Ninja Assassin.
Susan MacLeod and Phil Tippett discuss werewolves, "vampire speed" and "diamond skin" in the latest mega-smash, The Twilight Saga: New Moon.
Craig Hayes tells us what it was like working in China on Red Cliff, which benefitted greatly from contributions by Prime Focus and CafeFX.
Uncharted Territory and other key VFX companies tell us how they created the cataclysmic destruction in Roland Emmerich's 2012.
We offer our holiday preview with five examples of VFX craftsmanship that runs the gamut from explosive to bloody to sublime to howling to out of sight!