Alfonso Cuarón’s 3D space epic Gravity leads last night’s BAFTA Film Awards with six wins, including the prize for Outstanding British Film.
Cinesite completes visual effects for RoboCop, adjusting the main character’s silhouette and adding internal mechanics to shoulders, neck, elbows and knees.
Framestore’s London and Montreal offices combine to deliver a full range of photo-real visual effects for Jose Padilha’s RoboCop reboot, encompassing more than 600 robot and bullet-filled shots.
VFX supervisor Nordin Rahhali discusses the challenges of rebuilding the hero of José Padilha’s new film.
MPC completes more than 550 shots for Disney’s The Lone Ranger, ranging from full CG canyons, caves and Comanche attacks to CG trains, horses, birds, arrows, fire and scorpions.
The director, who will be receiving the VES' 2014 Visionary Award, discusses the unique process of reverse-engineering his Oscar-contending blockbuster.
Bradley Munkowitz and Navarro Parker talk Joseph Kosinski, After Effects and excellence in UI design.
Visual effects workers plan a demonstration in Los Angeles next month tied to the Oscars to protest foreign tax subsidies.
VFX producer Andrew Kramer talks 'Star Trek Into Darkness' title sequences and how Adobe After Effects and Element 3D were central to their production.
10 contenders flaunt their “visual goods” at the annual Motion Picture Academy Oscar-nomination voting presentation.
Out from under George Lucas’ wings, ILM’s legendary visual effects guru takes the helm as Chief Creative Officer.
Puppets, chiseled gladiators, smart aleck rodents and a canine genius are just some of the animated characters coming to theatres this Winter.
New short combines high-end visual effects and creature animation with an astronaut’s inadvertent lapse in judgment to hilarious effect.
Weta Digital's Joe Letteri discusses the new creature work in the second Hobbit movie, The Desolation of Smaug, highlighted by the eponymous dragon.
Digital Domain was a producing partner on the adaptation of Orson Scott Card's sci-fi classic, which provided more creative freedom.
VFX Producer Sophie Orde joins Framestore’s film department, where she has been hired to run the production for Universal’s ‘Dracula Untold.’
Framestore's Tim Webber explains the unique workflow in Alfonso Cuaron's space adventure about floating in zero gravity.
Double Negative's Jody Johnson describes the unique VFX collaboration in Ron Howard's racing biopic.
Manitoba’s Opus VFX tackles 3-D electric bolts and Lady Liberty’s destruction in Metallica’s new music-driven feature film.