New features and tool updates improve performance and enhance productivity with Premiere Pro and Character Animator, including faster ProRes on Apple M1 Pro and M1 Max, title graphics upgrades for improved search and replace tool, and puppet maker to give animators new ways to create, customize and animate characters
Developed in collaboration with Epic Games, the new plugin supports seamless animation data exchange between Maya and Unreal Engine to expedite virtual production and game development workflows.
Acquisition will add industry-leading 3D sculpting and painting tools to the developer of Cinema 4D and other top 3D / CG artistic tools.
Latest update focuses on artist collaboration and interoperability with render upgrades, workflow improvements, and support of render partners with a new render delegate ‘AVP.’
Denis Villenueve’s sci-fi epic nabs 10 nominations, followed by Guillermo del Toro’s neo-noir thriller with 8, and both ‘Encanto’ and ‘Flee with two each for the upcoming 27th annual awards.
The recommended incremental update incorporates improvements and bug fixes to the company’s key VFX toolset for After Effects; now available for all Red Giant Complete and Maxon One subscribers.
Check out an exclusive clip featuring ‘Clifford’ book series author Norman Bridwell talking about the building of a giant red dog franchise; the CGI/live-action movie follows everybody’s favorite canine and his adventures in NYC – also out n Blu-ray and DVD February 1.
Disney’s ‘Encanto,’ Neon’s ‘Flee,’ Pixar’s ‘Luca,’ Totem Films’ ‘My Sunny Maad,’ and Disney’s ‘Raya and the Last Dragon’ snag best animated feature nominations.
The Blue Blur returns to theaters April 8, 2022, with an all-star cast including James Marsden, Ben Schwartz, and Jim Carrey; new additions include Idris Elba and Colleen O'Shaughnessey.
New, live-action original series based on the iconic, hugely popular ‘Halo’ Xbox franchise about an epic, 26th-century battle between humanity and an alien threat known as the Covenant, will hit the streamer in 2022.
Leading visual effects and animation house delivers over 750 shots across 20 sequences, including digidoubles, Carnage transformations, and the wraith Venom, on Andy Serkis and Sony Pictures Entertainment's serial killer symbiont sequel to its 2018 box office hit, ‘Venom.’
Early release includes new Angie renderer, enabling CPU and GPU final render based on NVIDIA OptiX; includes full support for OSL allowing greater customization, taking users one step closer to working in real-time.
Best known for its sound services, the post-production company adds VFX, animation, motion graphics, and deliverables.
After 8 years at the helm, VFX studio’s co-founder is leaving to explore new opportunities; will continue in role through Q1 2022 to ensure smooth transition.
With a comprehensive range of onsite safety and hygiene measures in place, event will welcome attendees in-person at the Tokyo International Forum from December 14-17; international attendees will join virtually from all over the world.
The real-time content development platform finalizes its US$1.625 billion purchase of the legendary VFX studio’s digital tools, pipeline and engineering talent; VFX teams now operating as standalone WetaFX under CEO Prem Akkaraju and majority owner Sir Peter Jackson.
Talent added across company’s design, post-production, and live-action teams, bolstering presence in Los Angeles, Singapore, Vancouver, and Toronto.
Emmy Award-nominated tech and VFX startup raises CAD$6.5 million to grow core services, accelerate R&D of AI for visual effects technology, and bolster work force.
‘Le Retour des Vagues’ and ‘Les larmes de la Seine’ each awarded Best Student Project in first-ever tie; ‘Only a Child,’ a visual poem created by over 20 animation directors, wins Jury Special award.
VFX house tackles complex mix of shots to create feats of digital sorcery for the Disney+ supernatural anthology, inspired by R.L. Stine’s graphic novels, now streaming.
Industry veteran joins studio after 18-years at ILM; will be tasked with developing and implementing new cutting-edge workflows and technologies.
VFX company and volumetric studio team up to accelerate adoption of cutting-edge real-time technology; new effort will facilitate collaboration and R&D to expand virtual productions and volumetric technologies for visualizations and traditional visual effects.
VFX house creates campaign and 3-minute anthem film that showcases its ‘sales reel’ from 1981 complete with fictional relics from the past.
Artist-focused update enhances productivity with improvements in workflows; new 3D manipulators and hotkeys make work faster and easier while new Unreal Reader allows users to request Unreal data from within the NukeX environment.
Leading visual effects house delivers 770 shots, including extensive full CG characters and environments, on Andy Serkis’ ‘Venom: Let There be Carnage,’ Columbia Pictures’ crazed symbiont sequel to its 2018 box office hit, ‘Venom.’
