IO Entertainment head and previs supervisor Brad Blackbourn describes how director Sam Mendes used previs for action sequence planning and more on the latest James Bond franchise film.
Latest Travel Portland campaign from Paris-based WIZZ Design Studios led by director CRCR is Inspired by a collection of would-be Portland-themed ‘zines.’
Best practices for creating production VR Projects outlined with help of contributors from Legend3D and The World Building Institute.
Paramount Pictures and Starburns Industries’ ‘Anomalisa,’ Disney and Pixar Animation Studio’s ‘The Good Dinosaur’ and ‘Inside Out,’ 20th Century Fox and Blue Sky Studios’ ‘The Peanuts Movie,’ and Aardman’s ‘Shaun the Sheep Movie’ are nominated for Best Animated Feature.
Awards show and international conference for 3D animation & still, visual effects and visualization moving to Munich for 20th anniversary edition.
Dedicated iOS app for web-based review and approval tool Frankie brings all the collaborative, cloud-based functionality of Frankie to the palm of your hand.
Photoreal short derived from an old Japanese folk tale employs physical sets built in the duo’s living room augmented with CG creatures and extensions crafted using Autodesk Maya and Mudbox and rendered in Chaos Group’s V-Ray.
Inaugural Visionary Vanguard Award to be accepted by ILM Senior Visual Effects Supervisor John Knoll at the 27th Annual Producers Guild Awards on Saturday, January 23.
Newly appointed Executive Vice President & General Manager to work on long-term company goals and new initiatives with a primary focus on production, sales and marketing.
Microsoft Studios’ 343 Industries builds a new 50-foot by 50-foot motion capture stage outfitted with 50 Prime 41 cameras for character animation and camera tracking.
Forty-third International Conference and Exhibition on Computer Graphics and Interactive Techniques will be held July 24-28, 2016 in Anaheim, California.
New behind-the-scenes featurette provides a detailed look at Daisy Ridley's Rey, with commentary from Ridley and John Boyega.
Visual effects for the long-awaited sequel to Ang Lee’s Oscar-winning ‘Crouching Tiger, Hidden Dragon’ are led by production VFX supervisor is Mark Stetson, with VFX provided by Zoic, Pixomondo and Lola.
Universal and Legendary’s holiday horror-comedy ‘Krampus’ outperforms expectations in its North American debut, grossing $16 million from 2,902 theaters to come in at number two behind ‘The Hunger Games: Mockingjay -- Part 2.’
Led by veteran editor and Micah Scarpelli and VFX artist Joe Wenkoff, Uppercut is a full-service post-production company offering world-class editorial and visual effects services.
Emmy-Award winning post-production house and bicoastal music production company team up to provide seamless music and sound offerings to clients in the advertising, film, and television industries.
Led by VFX supervisor Jeff Campbell and supervising VFX producer George Macri, SpinVFX delivers nearly 150 shots to help bring to life the remarkable true story of the 33 survivors of the Chilean mine disaster.
Character rigging master Brad Clark returns once again to put the latest Autodesk software suite update to the test.
Australian visual effects studio standardizes on Solid Angle’s Arnold as its primary production renderer with a dramatic increase in efficiency.