Award-winning visual effects studio promotes Jason Cohon to Executive Producer and welcomes producer Zack Whitley to the BP team.
Distribution of the DHX digital video catalog to span U.S., Latin America, South Africa, Europe, Australia and New Zealand.
Indie filmmaker Alex Ross Perry set to write the script for the live-action adaption of ‘Winnie the Pooh,’ while Elizabeth Martin and Lauren Hynek are hired to write the script for the adaptation of ‘Mulan.’
FMX 2015 conference on animation, effects, games and transmedia to spotlight ‘Minions’ and ‘Assassin's Creed 4.’
With a diverse portfolio that includes work for Nike, Nescafe and Volkswagen, director and visual artist Jean-Paul Frenay joins the Not To Scale roster of multi-disciplined filmmakers.
Color management and image interchange system targets production, mastering and long-term archiving of motion pictures.
Autodesk engineer and designer Evan Atherton creates ‘Star Wars’-inspired short using RED Epic and Scarlet cameras, as well as a DGI drone and Movi free fly gimbal for aerial shots.
Paranoid's Executive Producers Claude Letessier and Dawn Fanning Moore to join Humble's executive team, bringing directors Thierry Poiraud, Nieto, Francois Vogel, Planktoon and Peter Szewczyk.
UK VFX house creates fully CG animated robots, environments and explosions, as well as flying vehicles, a Spitfire plane, a castle fight sequence and dramatic climax involving a giant CG robot spaceship.
“Never Too Timeless,” a musical spot for Kohler’s Artifacts Faucet Collection via DDB Chicago and B-Reel Director Anders Hallberg, features gorgeous narrative with seamless transitions and clever plays on perspective.
Despite many great VFX-driven films ahead, Steve bemoans the state of the VFX “business” responsible for their visual magic.
Free indoor & outdoor event is hosted by The Creative Talent Network in conjunction with Brainstorm School and the 15th annual Burbank Arts Festival.
Produced by Kabam, Fast & Furious: Legacy is an immersive action racing game that lets players become part of the Fast & Furious world.
Tim Johnson’s ‘Home’ marks the best opening for a DWA film since ‘Madagascar 3: Europe's Most Wanted,’ in 2012, and the third-best showing ever for an original DWA title after ‘Kung Fu Panda’ and ‘Monsters vs. Aliens.’
Chuck Peil, co-founder of Reel FX, talks about his studio’s evolution from animation and visual effects service house to mainstream animated feature film studio, the recently released ‘The Book of Life’ and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Mixed-media production studio grows its senior leadership with new appointment; Producer Brandon Stevenson promoted to Head of Production.
Installation artist taps VFX Studio for an artistic interpretation of the historic three-minute countdown to the launch of a Saturn V rocket.
One of the first colorists at Company 3 in Santa Monica, Gabor has been a key presence within the company since 1998, helping to establish CO3’s East Coast operations.
London-based visual effects house to begin production on ITV’s 13-part warrior drama ‘Beowulf,’ FOX TV’s ‘The Bastard Executioner,’ BBC’s ‘Doctor Who’ series nine, and feature film ‘Poltergeist’ from 20th Century Fox and MGM.