With more than 80 feature films spanning over a decade, Luma Pictures has made its mark with CG characters, simulations, and environments that have hit the big screen on tentpoles such as ‘Ant-Man,’ ‘Avengers: Age of Ultron’ and Pharrell William’s ‘Freedom’ music video.
Danish 3D designer and Cinema 4D lead instructor Thomas Andreasen to present ‘Basic Fluid Simulation Workflow with Cinema 4D & RealFlow’ on January 28.
Led by MPC VFX Supervisor Mark Curtis and Producer Laura Schultz, MPC’s global team worked closely with director Sam Mendes and Production VFX Supervisor Steve Begg, covering three key sequences in the snowy Austrian Alps and the deserts of Morocco.
Render farm management software adds job submission capabilities and new interface to ArtistView GUI.
Beijing-based VFX house provided visual effects for Chinese box office hits ‘Monster Hunt’ and ‘Star Wars: The Force Awakens.’
‘Mad Max: Fury Road’ wins nine critics’ awards, including best director and best visual effects; Pixar’s ‘Inside Out’ wins best animated feature; Netflix series ‘BoJack Horseman’ wins best animation series.
Animation entertainment studio infuses its trademark flourish in an all-digital intro film that showcases the multi-hued models in the mysterious confines of a hangar space.
MPC’s content production arm produces a film and VR experience for CES 2016 highlighting the performance of Faraday Future’s technology platform with the FFZERO1 high-performance electric dream car.
Creative studio harnesses the power of GPU-accelerated, biased renderer to deliver high-quality visuals at a fraction of the time compared to traditional render solutions.
Leading motion- and facial-capture companies Animatrik Film Design, Dimensional Imaging (DI4D), and Technoprops to host Open House events January 19-22 in Del Rey, CA.
Under the lead of VFX supervisor Nicolas Chevallier, Cinesite provides digital matte paintings and set extensions, fluid and particle simulations, character animation, lighting, compositing and more for director Alejandro González Iñárritu’s ‘The Revenant.’
Open to 20 selected applicants, six-month program designed to train to train filmmakers from the U.K. and France in VFX and Stereo 3D techniques runs June through November 2016; deadline for submissions is March 1.
Luxion strengthens its real-time rendering and lighting simulation focus with patent on industry-leading HDR technology.
Nominees for Best Animated Feature are ‘Anomalisa,’ ‘Boy and the World,’ ‘Inside Out,’ ‘Shaun the Sheep Movie,’ and ‘When Marnie Was There.’
Action-packed short film written and directed by Seth Worley showcases masterful visual effects and post-production completed with the help of Red Giant Trapcode Suite, Magic Bullet Suite, Keying Suite and more.
From submission to entry vetting and voting, production tracking, review, and asset management software Shotgun is the center of awards tracking and management process.
American Society of Cinematographers nominates ‘Beasts of No Nation,’ ‘Macbeth’ and ‘Son of Saul’ for Spotlight Award recognizing outstanding cinematography in feature-length projects screened at festivals, internationally, or in limited theatrical release.
Disney veteran to succeed Brad Globe, who will step down in February after more than a decade overseeing WBCP.
New video from MPC Creative goes behind the scenes of the ‘Goosebumps’ Virtual Reality experience created for Sony Pictures.
Nexus directors Smith & Foulkes announce the release of ‘Animals,’ a 60-second commercial for U.S. business messaging interface Slack.
Flame artist has previously worked with Big Block, Brand New School, Digital Domain, Fuel, Logan and MPC.