Revered action-horror video game ‘The Last of Us’ is being adapted into a series.
25th Anniversary Edition of leading industry conference has been canceled because of the worldwide coronavirus Covid-19 pandemic; 2021 edition is set for May 4-7, 2021.
New version allows same footage to be used for both creating and tracking models.
Disgruntled online fans demand Brie Larson step down as Captain Marvel, citing bad personality and a need for a queer woman of color.
Third-generation special effects supervisor Jeremy Hays talks about producing realistic snow, rivers and cracking ice on the new film adaptation of Jack London’s famous novel.
In light of the French government's recent ban on indoor events with more than 5,000 people, Reed Midem decides to cancel the long-running international TV content market.
New iPhone and iPad Pro app uses Apple AR-Toolkit to facilitate facial and body motion capture for Cinema 4D.
Led by VFX supervisor Aladino Debert, the Oscar-winning studio delivered around 160 shots for the second season of Netflix’s popular reimagined sci-fi adventure series.
130 artists now working at the company’s ninth location, bringing their employee total to over 1,500 worldwide.
Bristol-based studio continues its work as the ‘go-to’ natural history visual effects provider on streaming giant’s new documentary series showcasing the wonders of our nocturnal world.
Led by VFX supervisor Max Riess, teams from Frankfurt, Stuttgart, Toronto and Los Angeles delivered more than 268 final shots over a 22-month period.
Eli Roth is set to direct film adaptation of the beloved video game franchise.
Director J.D. Dillard and Matt Owens are slated to develop a new ‘Star Wars’ feature with Lucasfilm.
New version includes UI and tool improvements, CARA VR node performance improvements through Blink and BlinkScript update, and speed improvements for artist and team reviews.
Scottish studios bring together collective talents to serve UK domestic and international Marketplace.
The Visual Effects Society is not amused about the catty comments presenters James Corden and Rebel Wilson made towards VFX artists at the 92nd Annual Academy Awards.
‘1917’ also takes home Oscars for Best Cinematography and Sound Mixing in the final ceremony of the 2020 awards season.
Veteran animation director returns, bringing his extensive feature and 3D animation experience to studio’s growing creative team.
Industry veteran to oversee Los Angeles team’s art department, visualization, real-time production and VFX.
VFX studios on both films, Oscar nominees for Best Visual Effects, successfully used artificial intelligence in GPU-accelerated effects: ILM for character de-aging and Digital Domain for digital humans.
Heading into this coming Oscar Sunday on February 9th, catchup on AWN’s coverage of the films and creative teams nominated for this year’s Best Visual Effects.
Production VFX supervisor Roger Guyett talks creating Princess Leia, the benefits of practical shooting, and bringing the saga to a close.
Production VFX supervisor Guillaume Rocheron discusses the special challenges involved in creating the illusion of grim reality in Sam Mendes’ Oscar-nominated epic World War I drama.
Tech giant’s Media & Entertainment software powers the studios behind Academy Award, BAFTA, Annie, VES and Golden Globe-nominated films.
Studio’s digital skills are put to the test as they stitch the Oscar-nominated film’s lengthy, uninterrupted takes together into one long seemingly real-time sequence.
