Arnauld Lamorlette discusses his Academy Technical Achievement Award for production-capable bounce lighting methodology.
Comen VFX tells us about the creative invisible effects it made for David O. Russell's boxing triumph.
Diverse animation and a new synthesis of techniques, a bevy of naturalistic environments, photoreal superheroes and a graphical mash-up are among the highlights of this year's VFX Oscar contenders.
Read about the latest VFX magic conjured for a Narnia voyage at sea with MPC, Framestore, Cinesite, The Senate and The Mill.
As the Oscar race for VFX heats up, Bill Desowitz reports back with a second look at Alice in Wonderland.
Edson Williams and Shahana Khan explain advancements in face projection and select lens techniques in David Fincher's latest Oscar contender.
Leslie Iwerks and Dennis Muren tell us about her Creating the Impossible doc about Industrial Light & Magic.
Our VFX Beat blogger tries to figure out if the new VES tome is the definitive textbook for our times.
There's a new alien invasion movie in town and VFX engineer-turned director Gareth Edwards tells us why it's different from the rest.