ILM rebuilt the helicarrier for the latest Marvel blockbuster and it's the company's biggest model in history. Here's a sample of some of the stunning concept art, vfx...
Jim Berney, Greg Baxter and Matt Dessero discuss their subtle approach to VFX.
The veteran Oscar-nominated VFX supervisor discusses Marvel’s latest Iron Man saga as well as the future of high frame rate filmmaking.
Digital compositing supervisor Patrick David talks spiders and multiple Gyllenhaals.
The LOOK Effects vfx supervisor discusses integrating miniatures, stop-motion, live action and more on Wes Anderson’s new film.
Time-traveling mutants, rare blue macaws, a webbed crusader, morphing metal robots and the Mistress of All Evil are just a few of the animated characters coming to theatres this...
Pixar Animation Studios collaborates with The Foundry to create RenderMan for KATANA.
Led by VFX Supervisor Richard Clarke, Cinesite completes over 350 visual effects shots for 300: Rise of an Empire, creating epic 2.5D and 3D environments including Ancient Athens, Sparta and shoreline encampment shots.
Alfonso Cuarón’s 3D space epic Gravity leads the 86th annual Academy Awards with seven wins, including the prize for best visual effects.
Industrial Light & Magic prepares to launch a new feature visual effects facility in central London with plans to serve as the base of operations for Star Wars Episode VII in addition to other feature productions.
Framestore’s London and Montreal offices combine to deliver a full range of photo-real visual effects for Jose Padilha’s RoboCop reboot, encompassing more than 600 robot and bullet-filled shots.
yU+Co created 118 VFX shots in order to visualize the inner workings of a man/robot hybrid in the latest installment of the popular science fiction action franchise RoboCop.
Cinesite completes visual effects for RoboCop, adjusting the main character’s silhouette and adding internal mechanics to shoulders, neck, elbows and knees.
DreamWorks Animation taps siblings Wendy and Lizzie Molyneux to write live-action/CG hybrid feature Hot Stuff.
Framestore partners with Richard Ayoade to provide over visual effects on more than 150 shots on his second feature film, an adaption of Dostoyevsky’s The Double.
Organizers for Europe’s leading conference on Animation, Effects, Games and Transmedia announce that this year’s program will include a presentation on a number of highly anticipated yet unreleased films, including DreamWorks Animation’s How to Train Your Dragon 2.
LOOK Effects produces over 250 VFX shots visual effects for Draft Day, the new Kevin Costner film directed by Ivan Reitman.
Visual effects house Method Studios was lead vendor for the futuristic action adventure, creating a variety of complex environments, set extensions, digital doubles and CG characters used throughout the film.
Full integration of game industry’s leading next-gen texture development tool on Epic Games’ GitHub.
Canadian Eric Clément joins the Cinesite team in Montréal as CG Supervisor, bringing a wealth of experience and a strong reputation in the visual effects industry.
Maya LT 2015 is coming to Steam, Valve's popular entertainment platform, bringing its powerful animation and modeling feature set to Steam's active community of over 65 million gamers, developers and artists.
Formerly known as 1.1 VFX, the expanding visual effects and post boutique finds a new home at Bully Pictures.
Thinkbox Software launches Krakatoa C4D, the first version of its high-volume particle renderer for MAXON CINEMA 4D.
Bicoastal digital production and design studio Big Block produces a live-action shoot, virtual obstacle course and animated drone fleet for “Subaru WRX STI vs. the Drones.”
Marvel’s Captain America: The Winter Soldier holds onto to the top spot at the North American box office with $41.4 million; Carlos Saldanha's Rio 2 follows in second place with a $39 million debut.
Xbox Entertainment Studios is producing a new digital feature based on the video game series Halo in conjunction with 343 Industries and celebrated sci-fi director/producer Ridley Scott’s Scott Free Productions.
Conference on Animation, Effects, Games and Transmedia to spotlight virtual production in Gravity, Avatar 2 and more with speakers including Chris DeFaria, Tim Webber and Jon Landau.
Former Aardman Features exec Sarah Smith launches a UK animation studio with backing from Elisabeth Murdoch and VFX house Double Negative.