Shotgun replaces Blur’s proprietary production management software; frees internal development resources to focus on creative tools.
Leading CG software developer Autodesk confirms that it is ceasing development of its Softimage CG software.
Katy Perry's latest music video for the hip hop-infused #1 hit single "Dark Horse" is a bold, Egyptian-themed cinematic epic created by storytelling studio Mirada.
The first teaser trailer and a new poster are unveiled for TWC-Dimension’s CGI/live-action hybrid film Paddington.
Program highlights are announced for FMX 2014, including a series of talks dedicated to ‘Disruptive Education,” feature presentations on Oscar winner Frozen and international film project The Physician, as well as renowned personalities such as Star Wars Concept Designer Christian Gossett and Oscar-winning Animator Chris Landreth.
Sydney-based digital production company announces the launch of a feature film development arm focused on developing a slate of animation, hybrid and VFX driven films for the company.
An estimated 540 people from the visual effects community participate in a rally on Hollywood Blvd. on Oscar Sunday.
Polish creative studio Platige Image forges an inspirational teaser for the History Channel’s powerful original series that transports viewers to the brutal and mysterious world of the Vikings.
Led by VFX Supervisor Arundi Asregadoo and VFX Producer Stefan Drury, MPC delivers 80 photoreal shots across nine scenes for The Monuments Men.
Mill+ teams with Wieden+Kennedy on Coke "Footprints," a 99% CG spot airing during the 2014 Winter Olympic games in Sochi.
Oscar-winning VFX Supervisor Rob Legato and Brainstorm Digital use mocha visual effects tools on Martin Scorsese's Wolf of Wall Street.
Out from under George Lucas’ wings, ILM’s legendary visual effects guru takes the helm as Chief Creative Officer.
Puppets, chiseled gladiators, smart aleck rodents and a canine genius are just some of the animated characters coming to theatres this Winter.
New short combines high-end visual effects and creature animation with an astronaut’s inadvertent lapse in judgment to hilarious effect.
Weta Digital's Joe Letteri discusses the new creature work in the second Hobbit movie, The Desolation of Smaug, highlighted by the eponymous dragon.
Digital Domain was a producing partner on the adaptation of Orson Scott Card's sci-fi classic, which provided more creative freedom.
VFX Producer Sophie Orde joins Framestore’s film department, where she has been hired to run the production for Universal’s ‘Dracula Untold.’
Framestore's Tim Webber explains the unique workflow in Alfonso Cuaron's space adventure about floating in zero gravity.
Double Negative's Jody Johnson describes the unique VFX collaboration in Ron Howard's racing biopic.
Manitoba’s Opus VFX tackles 3-D electric bolts and Lady Liberty’s destruction in Metallica’s new music-driven feature film.