Alfonso Cuarón’s 3D space epic Gravity leads the 86th annual Academy Awards with seven wins, including the prize for best visual effects.
VFX supervisor Nordin Rahhali discusses the challenges of rebuilding the hero of José Padilha’s new film.
Alfonso Cuarón’s 3D space epic Gravity leads last night’s BAFTA Film Awards with six wins, including the prize for Outstanding British Film.
Industrial Light & Magic prepares to launch a new feature visual effects facility in central London with plans to serve as the base of operations for Star Wars Episode VII in...
Framestore’s London and Montreal offices combine to deliver a full range of photo-real visual effects for Jose Padilha’s RoboCop reboot, encompassing more than 600 robot and...
yU+Co created 118 VFX shots in order to visualize the inner workings of a man/robot hybrid in the latest installment of the popular science fiction action franchise RoboCop.
Teams behind Cuaron’s ‘Gravity’ and Disney’s ‘Frozen’ win big at the 12th Annual VES Awards.
The director, who will be receiving the VES' 2014 Visionary Award, discusses the unique process of reverse-engineering his Oscar-contending blockbuster.
MPC completes more than 550 shots for Disney’s The Lone Ranger, ranging from full CG canyons, caves and Comanche attacks to CG trains, horses, birds, arrows, fire and scorpions.
Cinesite completes visual effects for RoboCop, adjusting the main character’s silhouette and adding internal mechanics to shoulders, neck, elbows and knees.
Bradley Munkowitz and Navarro Parker talk Joseph Kosinski, After Effects and excellence in UI design.
Emmanuel Lubezki wins the ASC Award in the feature film competition for Gravity at the 28th Annual American Society of Cinematographers (ASC) Awards for Outstanding Achievement.
Framestore’s three global advertising offices contribute to five huge campaigns broadcast to more than 100 million people during the Super Bowl on Sunday.
Cutting Edge delivers over 116 VFX shots for Stuart Beattie’s I, Frankenstein to create a specialized ‘demon descension’ effect.
VFX producer Andrew Kramer talks 'Star Trek Into Darkness' title sequences and how Adobe After Effects and Element 3D were central to their production.
Visual effects workers plan a demonstration in Los Angeles next month tied to the Oscars to protest foreign tax subsidies.
In a cost-cutting move, Sony Pictures Imageworks is transferring a portion of the staff from its Los Angeles HQ to its studio in Vancouver, B.C.
Disney’s classic cartoon chipmunk duo, Chip ‘n’ Dale, is being revived with plans for a live-action/CG hybrid big-screen feature.
The Visual Effects Society announces its 2014 Board of Directors officers; Jeffrey A. Okun re-elected as Board Chair.
The collaboration between Qualcomm, Ogilvy & Mather LA and Framestore's New York studio continues with an epic new Snapdragon spot, Unsung Hero.
Patton Oswalt (Young Adult, Ratatouille) will host the 10th Annual Visual Effects Society Awards at the Beverly Hilton Hotel on Tuesday, February 7, 2012.
SPARK FX and 3D [FWD] merge into SPARK [FWD], bringing together leading industry experts with professionals, students and film fans for a one of a kind, five-day event.
10 contenders flaunt their “visual goods” at the annual Motion Picture Academy Oscar-nomination voting presentation.
MPC completes 250 shots on Universal Pictures’ 47 Ronin, working on a wide range of effects from a fully CG character to grand environments.
Framestore taps Golaem Crowd to create 40,000 cheering fans for the Nike “Dare to be Brazilian” campaign.
London VFX house Nvizible, part of the Ngroup, announced that they have considerably increased capacity with the company having taken on a whole new floor at their Soho base.
Shotgun replaces Blur’s proprietary production management software; frees internal development resources to focus on creative tools.
Leading CG software developer Autodesk confirms that it is ceasing development of its Softimage CG software.