Chris DeFaria, President, Animation, Digital Production and Visual Effects at Warner Bros., discusses the success of ‘Gravity,’ assessing a film’s marketability, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
MPC NY bolsters award-winning 3D team with new addition of VFX veteran with over 13 years of top-notch experience in the advertising industry.
Led by newly-elected president Mark Ulano, new board represents a cross-section of experienced production and post-production sound professionals.
Oscar-winning international animation and film production company opens a new office in Melbourne headed by executive producer Katie Mackin.
Creative studio brings Robert Rugan’s short film to life by believably adding animated characters into a live-action world.
New Service Lets Users Pay for Substance Products in Monthly Installments with No Feature Limitations or Subscriptions; Previewing New Product Line at GDC Booth 212.
New Cintiq 13HD touch combines multi-touch with Wacom’s renowned pen performance for a liberating and immersive digital creative experience.
Jon Landau, James Cameron’s longtime producing partner at Lightstorm Entertainment, discusses the ‘Avatar’ sequels, new technologies, and more as part of AWN’s series of exclusive video interviews from FMX 2014.
Unmatched toolset for VFX/Games/Animation tracking and review brings world-class production pipelines to studios of all sizes.
Rounding out its collection of game development tools, Autod3esk previews Stingray Game Engine, Announces Maya LT 2016.
Warner Bros.’ R-rated romantic heist movie ‘Focus’ wins the North American box office race with a $19.1 million debut; Microbudget horror film ‘The Lazarus Effect’ rounds up the top five with $10.6 million.
Often earnest, sometimes campy, ‘Star Trek’ employed the distant future and primitive special effects -- at least by today’s standards -- to take on social issues of the 1960s.
Shotgun’s production management, review and tracking tools enable small team of VFX artists to complete the stop-motion film’s 300 shots in just over three months.
A completely overhauled UI, a streamlined workflow and new store upgrades make 3D character creation easier than ever for game developers
Full-service boutique’s animation, visual FX & motion graphics talent tapped to create a digital journey that brings the rich history of Kansas City’s iconic Union Station building to life.
Joining Sony in 2004, Osher was named in 2008 as president of the digital production division of Sony Pictures Entertainment.
Big Block creates 1,000 FPS interactive experience for Critical Mass and Nissan “Meet The Machines.”
Previously available as an Autodesk Labs technology preview, high definition 3D reality capture conversion solution is now available as a free public beta.
Sony names Tom Rothman chairman of the Motion Picture Group; extends contract of SPE chair Michael Lynton.
A selection of images featuring all the animation and visual effects Oscar winners and nominees, starting from the pre-Oscar Academy lunch and panel discussions and culminating with backstage celebrations during ABC's telecast of The 87th Oscars at the Dolby Theatre in Hollywood, CA on Sunday, February 22, 2015! AWN congratulates the Oscar-winning teams behind 'Big Hero 6,' 'Feast' and 'Interstellar' as well as all the talented artists who worked on each of the nominated films.
New head of production with over 10 years of production experience joins MPC NY from Transistor Studios.