The Animated Scene: Balancing Animation with Other Creative Outlets
Many animators dabble in other art forms like writing or fine art. Joseph Gilland writes about balancing creative outlets in this months The Animated Scene.
Joseph Gilland's Recent Posts
The Animated Scene: “Elemental Magic”: The Classical Art of Hand-Drawn Effects Animation
In this months Animated Scene, Joseph Gilland gives readers a sneak peek at his upcoming book, Elemental Magic: The Classical Art of Hand-Drawn Effects Animation.
The Animated Scene: Industry & Education — Marriage Made in Heaven, or an Unholy Matrimony?
In this months Animated Scene, Joseph Gilland contemplates whether the animation industrys relationship with animation education facilities is a marriage made in heaven, or an unholy matrimony.
The Animated Scene: “Paperless Animation Production” — Myth or Reality?
In this months Animated Scene, Joseph Gilland addresses the reality of paperless animation production, which used to make his blood curdle.
The Animated Scene: Character Profiles from the World of Animation
In this months The Animated Scene, Joseph Gilland profiles his meeting with Norman McLaren and working on international animation crews.
The Animated Scene: Classical Hand-drawn Special Effects Animation — Facing Extinction?
This month in the Animated Scene, Joseph Gilland looks at the facing extinction of hand-drawn special effects animation.
The Animated Scene: Animation’s Repatriation
In checking out the Animated Scene this month, Joseph Gilland passes down some of his nearly 30 years of experience to the next generation of animators.
The Animated Scene: Managing the Cartoon Factory…
In the first edition of the new monthly column, The Animated Scene, Joseph Gilland talks about balancing the eclectic mix of personalities on an animated project to create a successful team.
The Integration of Animated Feature Design
Joseph Gilland looks into how artists integrate various design styles into one cohesive animated feature.
