The World of Design According to Syd Mead
Henry Turner talks to famed visual designer Syd Mead about his influential work on Blade Runner, old school vs. digital tools and the luxurious SUD.
Henry Turner talks to famed visual designer Syd Mead about his influential work on Blade Runner, old school vs. digital tools and the luxurious SUD.
Henry Turner delves into how JPL is using visual effects to advance science in the area of space exploration.
Henry Turner talks with King Arthur's visual effects wizards to conjure up the truth about the vfx behind the newest cinematic rendition of the legendary myth.
Henry Turner travels around the world to discover the vfx wonders that lie within Disney and Walden Medias remake of Around the World in 80 Days.
Henry Turner ventures into the storm of vfx that makes up the disaster flick, The Day After Tomorrow.
Henry Turner investigates the newest developments in motion capture and motion control, which brings the technology on-set. Includes a QuickTime movie clip from Hidalgo.
Henry Turner asked Oscar-nominated visual effects supervisors from Return of the King, Master and Commander and Pirates of the Caribbean to evaluate each others work.
Henry Turner investigates the other spectacle that is part of the Super Bowl tradition -- the commercials.
Henry Turner gets Lord of the Rings visual effects supervisor Jim Rygiel to provide a detailed overview of how the groundbreaking work on the trilogy always serviced the storytelling.
Demo reels are so 1990. Henry Turner chronicles how Uncharted Territory created its own visual effects feature, Coronado, as a way to promote the fledgling company.
Henry Turner gets his sea-legs investigating the journey to the big screen for Master and Commander: The Far Side of the World.
Henry Turner takes a look at the visual effects legacy of the Indiana Jones movie trilogy and how the new DVD box set has enhanced the spectacle.