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Animation ANIMATIONWorld

Editor's Notebook: May 1997

Commercials Many years ago, when I was an undergraduate student, I volunteered to transcribe an oral history interview with Hans Richter, one of the pioneers of European avant garde cinema, whose career dated back to the 1920s. One of the comments that stuck with me all these years was about an offer he had to make an advertising film. As he considered himself first and foremost an artist, he refused. Later, after seeing the resulting film, he was so delighted that he changed his mind towards working on such films. Today, with the likes of Spike Lee making...

Film ANIMATIONWorld

Space Jam

Let's face it, there is no avoiding Space Jam. Warner Bros. really pulled out all the stops to make sure the film opened big, which it did. In so doing, they finally proved that Disney is not the only one that has the ability to make and successfully market an animated feature as a major event. Thus, the psychological hegomony that was Walt Disney Feature Animation is no more. In this context, it seems rather picky to cast any sort of critical eye on it. After all, aren't the special effects and the marriage of live-action and animation terrific? Well, yes, most of the time, but...

Daffy...

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