In celebration of the tenth anniversary of the series, Nickelodeon will be broadcasting a special viewer's all-time 10 favorites RUGRATS marathon on Saturday, April 21, from 4:30 pm - 8 pm ET/PT. During the months of January through March, the network aired every episode of the series every produced. Viewers were invited to rate each episode on Nick.com. Voter tallies will determine the top 10 episodes. The top 10 will air in order, with the all-time favorite episode airing immediately preceeding the Nickelodeon Kids' Choice Awards.
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John B. VanBorssum has been named to the Board of Directors of character animation house Cornerstone Animation Inc. Currently the managing principal of Fiderus Strategic Security and Privacy Services, VanBorssum has more than 25 years experience in finance, technology and information systems, with such firms as First Union Securities, Arthur Andersen LLP, BankAmerica Corporation and Security Pacific Corporation. According to Larry D.
3D animator Lawrence Nimrichter has joined digital studio Spontaneous Combustion. Prior to Spontaneous, Nimrichter spent five years as an animator and technical director at Atomic Pictures in San Antonio, where he worked on commercial projects for Coca-Cola, Ford Motor Co., Corona, Sony, Televisa, Kraft, Procter & Gamble, Tecate, JC Penney, and agencies including McCann Erickson (Mexico City), JWT (Mexico City), Bromley Communications (San Antonio, TX) and Alazraki y Asociados (Mexico City), among others.
New Yorks Cyclotron has completed work on a new 30 second commercial for Visa, which debuted during the March, 2001 Daytona 500, and will continue to air throughout the current NASCAR season. The spot, titled Nature, opens with a father answering his young son's questions about the local flora and fauna. They watch a moth delicately alight from a dandelion, only to be splattered over the windshield of a racing car. The tranquility shattered, the shot widens to reveal the pair standing in the infield of the Daytona International Speedway.
The final beta version of Silicon Grails RAYZ multi-platform compositing software is now available for public beta testing. The beta-testing period will last through April 22, 2001 when RAYZ will be officially launched at NAB. The software is available in versions for SGI IRIX, SGI IRIX (64 bit), Windows NT/Windows 2000, Intel Linux and Alpha Linux. The product is resolution independent making it equally suitable for feature film, large format film, HDTV and standard definition video projects.
Ascension Technology has announced the addition of the X-IST FaceTracker to their line-up of motion-capture tracking devices. The X-IST FaceTracker is a lightweight, head-coupled facial expression tracker using 36 reflective markers to collect real-time motion data on strategic locations such as lips, cheeks and eyelids. Its automatic search, labeling and marker tracking are designed to accelerate production time. The real-time data, transferred to an animation workstation, integrates with Filmbox, Maya, Typhoon, Softimage and other leading software programs.
In this issue, Animation World Magazine kicks off Catherine Winder andZahra Dowlatabadi's new book "Producing Animation" with a specialindepth look at how animation is produced. From feature films totelevision from Europe to the U.S. we detail how schedules andbudgets are put together. Sylvia Edwards compares traditionalanimation television show schedules and budgets to CGI TV series, arapidly growing trend. Feature film producer Steve Walsh takes usinside putting together a European feature film, while Evan Backus
Barcelona, Spain's Acció is looking for a 2D ANIMATOR to work onfeature films. . . New York, New York's C-Traze Studios, a TV filmproduction company, is looking for a SALES ASSOCIATE. . . Miami,Florida's Demand Creation, Inc. is looking for a CONTRACT ANIMATOR tocreate 25 to 50 new clips per month. . . Greensburg, Pennsylvania'sDreamForge Intertainment is looking for a MODELER/TEXTURE ARTIST towork on an action/adventure Xbox title. . . North Hollywood, California's
- New images and information have been posted for "(it was...)Nothing At All", Buzzco's latest short. The film has just won 1stprize from the Big Muddy Film Festival in Carbondale, Illinois. Ithas also shown at the London Film Festival, Tricky Women FilmFestival and others. Based on an original song written by Candy Kugeland Lanny Meyers, the film asks why is it easier to mourn the loss ofan object than the loss of a loved one. The film is traditionally
Leading independent animation house Film Roman announced five new half-hour, animated properties at MIP on Monday, April 2, 2001. The new series include John Waters' PATENT LEATHER DREAMHOUSE, Norman Lear's 'TIL THE FAT LADY SINGS, HAIRBALLS, ZIPPY THE PINHEAD and TRIPPING THE RIFT. According to Peter Schankowitz, president of programming and development, "Our MIP slate reflects Film Roman's ability to partner with well known talent like John Waters and Norman Lear, as well as to develop our own properties in-house.
Cartoon Network scored the highest first-quarter prime time ratings and delivery performance of its history, landing in fourth place among all ad-supported cable networks, with a 1.7 prime household rating. The January-March '01 quarter also saw the largest net gain (177,000) in total day delivery among all ad-supported cable networks. Additionally, the network charted double-digit increases among households and all key demographics for total day rating and delivery, earning fourth place for the quarter, with a 1.1 total day rating.
Bolstered by year-to-year quarterly growth across all kid and tween demos and strong performances of the four new series launched since January, Nickelodeon was the number-one basic cable network in the first quarter of 2001. The network averaged a 4.5/24 (1.4 million average kid viewers) among its primary kids 2-11 demo during the "Kids Day," up 3 percent in rating and 8 percent in delivery as compared to last year.
DIRECTV Latin America announced on Friday, April 6, 2001 the official debut of the Disney Channel to all DIRECTV subscribers in Brazil. The Disney Channel is a new, 24-hour Portuguese television network with entertainment for kids and families created specially for the Brazilian market. The Disney programming block includes exclusive and original productions, a two-hour live, daily show, movies, animated and live-action series, concerts and special events.
Digital animation company Mixin Pixls has finished work on the 'Volcanologists' spot for the new Chevy S-10 crew cab 4x4 pickup. Mixin Pixls joined with Crew Cuts editor Bob Jenkis, Flying Tiger Films' director Robert Gordon and advertising agency Campbell-Ewald's creative team of John Haggerty, Steve Bolt and Matt Fera to produce the commercial. The spot introduces viewers to the hazards of a day-in-the-life of a group of volcanologists who are studying the activity of a nearby volcano. The volcano erupts and places the volcanologists in harm's way.
Animation production house Renegade Animation has designed and produced the main title sequence for TOMCATS, the new feature film from Revolution Studios. The 2-minute title sequence is fully cel-animated and features a cat and dog in pursuit of a buxom woman who blows them away -- literally. Darrell Van Citters directed the title sequence for Renegade Animation. Ashley Postlewaite was executive producer. TOMCATS, written and directed by Gregory Poirier, is the first release from Revolution Studios since its founding last year by producer Joe Roth.
Toon Boom Technologies, a leading supplier of 2D animation software for major film and television studios, announced Toon Boom Studio 1.0, a new software program the brings high-end 2D animation tools and capabilities to the Web. Targeted at Web designers, advertising agencies and other online content creators, the software is designed to simplify the creation process by automating traditional animation tasks. The new software derives its high-end features from Toon Boom Technologies' acknowledged expertise in the animation market.
On April 4, 2001, Cambridge Animation Systems, makers of Animo software, announced the upcoming release of Swiffworks, a new plugin that delivers Macromedia Flash format output to Alias|Wavefront's Maya users. The newsoftware is based on the Maya scene interpreter developed for Cambridge's Inkworks plugin, used in the feature film RUGRATS IN PARIS. The new plugin allows users to choose Swiffworks material or use the default Phong material provided by Maya.