Previs supervisor Austin Bonang explains the extensive use of previsualization on Bryan Singer's latest installment of the X-Men franchise.
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MPC’s visual effects supervisor discusses the challenges of bringing Bryan Singer’s critically acclaimed film to the screen.
The Third Floor’s previs supervisor discusses the extensive use of previs, techvis and postvis on Sony’s latest superhero hit.
Paris’ NAKED Compagnie and New York’s ROOF Studio team up in the Cloud to produce a prolific series of eight second CG bumpers.
An AWN tribute celebrating retired NFB producer Marcy Page’s lasting impact on a generation of artists, family and friends.
LOOK Effects’ visual effects supervisor discusses feather systems, a pulsating apple and the Garden of Eden in Darren Aronofsky’s latest film.
The wonderful world of Oz makes its way back to the big screen in the form of a family-friendly, CG animated musical. Check out production images from the film. All images courtesy of Summertime Entertainment.
The veteran Imageworks visual effects supervisor walks us through the production of Sony’s highly anticipated second Spider-Man offering.
In their largest feature film project to date, LA headquartered Proof Inc. spent 14 months prevising the second Captain America film and another eight months handling postvis. They were involved in every major action and visual effects-driven scene including the major third-act finale. Here's a selection of some of the previs images from the film. All images courtesy of Marvel Entertainment.
Art director Neal Holman and animation director Bryan Fordney explain how Floyd County Productions brings us FX’s animated gem.
Carlos Saldanha is again at the helm in the sequel to Blue Sky Studio's 2011 hit, Rio. Check out our set of production stills. All images TM and © 2013 Twentieth Century Fox Film Corporation.